Furnace

Painted monsters & other strange beasts

Horror fiction has long celebrated and explored the twin engines driving human existence. Call them what you like: Sex and Death, Love and Destruction, Temptation and Terror. While many may strive to reach the extremes, few authors manage to find the beauty that rests in the liminal space between these polar forces, the shuddering ecstasy encased within the shock. And then theres Livia Llewellyn, ...

Horror fiction has long celebrated and explored the twin engines driving human existence. Call them what you like: Sex and Death, Love and Destruction, Temptation and Terror. While many may strive to reach the extremes, few authors manage to find the beauty that rests in the liminal space between these polar forces, the shuddering ecstasy encased within the shock. And then theres Livia Llewellyn, ...

Horror fiction has long celebrated and explored the twin engines driving human existence. Call them what you like: Sex and Death, Love and Destruction, Temptation and Terror. While many may strive to reach the extremes, few authors manage to find the beauty that rests in the liminal space between these polar forces, the shuddering ecstasy encased within the shock. And then theres Livia Llewellyn, ...

Horror fiction has long celebrated and explored the twin engines driving human existence. Call them what you like: Sex and Death, Love and Destruction, Temptation and Terror. While many may strive to reach the extremes, few authors manage to find the beauty that rests in the liminal space between these polar forces, the shuddering ecstasy encased within the shock. And then theres Livia Llewellyn, ...

Horror fiction has long celebrated and explored the twin engines driving human existence. Call them what you like: Sex and Death, Love and Destruction, Temptation and Terror. While many may strive to reach the extremes, few authors manage to find the beauty that rests in the liminal space between these polar forces, the shuddering ecstasy encased within the shock. And then theres Livia Llewellyn, ...

Horror fiction has long celebrated and explored the twin engines driving human existence. Call them what you like: Sex and Death, Love and Destruction, Temptation and Terror. While many may strive to reach the extremes, few authors manage to find the beauty that rests in the liminal space between these polar forces, the shuddering ecstasy encased within the shock. And then theres Livia Llewellyn, ...

Horror fiction has long celebrated and explored the twin engines driving human existence. Call them what you like: Sex and Death, Love and Destruction, Temptation and Terror. While many may strive to reach the extremes, few authors manage to find the beauty that rests in the liminal space between these polar forces, the shuddering ecstasy encased within the shock. And then theres Livia Llewellyn, ...

ORRIN GREY LOVES MONSTERS. That is abundantly clear in the stories he spins. No matter where he draws inspiration from, whether the weird tales of Lovecraft, Machen, and Poe or the films of Murnau, Corman, and Argento, the end result is inevitably fresh and new. And wonderfully monstrous.If you love monsters-the macabre, the murderous, the misunderstood; the strange, the sinister, the sympathetic;...

ORRIN GREY LOVES MONSTERS. That is abundantly clear in the stories he spins. No matter where he draws inspiration from, whether the weird tales of Lovecraft, Machen, and Poe or the films of Murnau, Corman, and Argento, the end result is inevitably fresh and new. And wonderfully monstrous.If you love monsters-the macabre, the murderous, the misunderstood; the strange, the sinister, the sympathetic;...

ORRIN GREY LOVES MONSTERS. That is abundantly clear in the stories he spins. No matter where he draws inspiration from, whether the weird tales of Lovecraft, Machen, and Poe or the films of Murnau, Corman, and Argento, the end result is inevitably fresh and new. And wonderfully monstrous.If you love monsters-the macabre, the murderous, the misunderstood; the strange, the sinister, the sympathetic;...

ORRIN GREY LOVES MONSTERS. That is abundantly clear in the stories he spins. No matter where he draws inspiration from, whether the weird tales of Lovecraft, Machen, and Poe or the films of Murnau, Corman, and Argento, the end result is inevitably fresh and new. And wonderfully monstrous.If you love monsters-the macabre, the murderous, the misunderstood; the strange, the sinister, the sympathetic;...

ORRIN GREY LOVES MONSTERS. That is abundantly clear in the stories he spins. No matter where he draws inspiration from, whether the weird tales of Lovecraft, Machen, and Poe or the films of Murnau, Corman, and Argento, the end result is inevitably fresh and new. And wonderfully monstrous.If you love monsters-the macabre, the murderous, the misunderstood; the strange, the sinister, the sympathetic;...

ORRIN GREY LOVES MONSTERS. That is abundantly clear in the stories he spins. No matter where he draws inspiration from, whether the weird tales of Lovecraft, Machen, and Poe or the films of Murnau, Corman, and Argento, the end result is inevitably fresh and new. And wonderfully monstrous.If you love monsters-the macabre, the murderous, the misunderstood; the strange, the sinister, the sympathetic;...

ORRIN GREY LOVES MONSTERS. That is abundantly clear in the stories he spins. No matter where he draws inspiration from, whether the weird tales of Lovecraft, Machen, and Poe or the films of Murnau, Corman, and Argento, the end result is inevitably fresh and new. And wonderfully monstrous.If you love monsters-the macabre, the murderous, the misunderstood; the strange, the sinister, the sympathetic;...

ORRIN GREY LOVES MONSTERS. That is abundantly clear in the stories he spins. No matter where he draws inspiration from, whether the weird tales of Lovecraft, Machen, and Poe or the films of Murnau, Corman, and Argento, the end result is inevitably fresh and new. And wonderfully monstrous.If you love monsters-the macabre, the murderous, the misunderstood; the strange, the sinister, the sympathetic;...

ORRIN GREY LOVES MONSTERS. That is abundantly clear in the stories he spins. No matter where he draws inspiration from, whether the weird tales of Lovecraft, Machen, and Poe or the films of Murnau, Corman, and Argento, the end result is inevitably fresh and new. And wonderfully monstrous.If you love monsters-the macabre, the murderous, the misunderstood; the strange, the sinister, the sympathetic;...