The city, revisited

The continental model

The dada cyborg

The micmac indians of eastern canada

The new american exceptionalism

The power of genre

The tourist state

Toward a global idea of race

Writing the love of boys

Yellow future

Livro between feminism and islam

Livro dream factories of a former colony

Paternalism

Animes media mix

Liberating shahrazad

A postcapitalist politics

Does writing have a future?

Philippine cinema, the dream factory of the former U.S. colony, teems with American figures and plots. Local movies feature GIs seeking Filipina brides, cold war spies hunting down native warlords, and American-born Filipinos wandering in the parental homeland. The American landscape furnishes the settings for the triumphs and tragedies of Filipino nurses, GI babies, and migrant workers.By trackin...

Philippine cinema, the dream factory of the former U.S. colony, teems with American figures and plots. Local movies feature GIs seeking Filipina brides, cold war spies hunting down native warlords, and American-born Filipinos wandering in the parental homeland. The American landscape furnishes the settings for the triumphs and tragedies of Filipino nurses, GI babies, and migrant workers.By trackin...

Philippine cinema, the dream factory of the former U.S. colony, teems with American figures and plots. Local movies feature GIs seeking Filipina brides, cold war spies hunting down native warlords, and American-born Filipinos wandering in the parental homeland. The American landscape furnishes the settings for the triumphs and tragedies of Filipino nurses, GI babies, and migrant workers.By trackin...

Philippine cinema, the dream factory of the former U.S. colony, teems with American figures and plots. Local movies feature GIs seeking Filipina brides, cold war spies hunting down native warlords, and American-born Filipinos wandering in the parental homeland. The American landscape furnishes the settings for the triumphs and tragedies of Filipino nurses, GI babies, and migrant workers.By trackin...

Philippine cinema, the dream factory of the former U.S. colony, teems with American figures and plots. Local movies feature GIs seeking Filipina brides, cold war spies hunting down native warlords, and American-born Filipinos wandering in the parental homeland. The American landscape furnishes the settings for the triumphs and tragedies of Filipino nurses, GI babies, and migrant workers.By trackin...

Philippine cinema, the dream factory of the former U.S. colony, teems with American figures and plots. Local movies feature GIs seeking Filipina brides, cold war spies hunting down native warlords, and American-born Filipinos wandering in the parental homeland. The American landscape furnishes the settings for the triumphs and tragedies of Filipino nurses, GI babies, and migrant workers.By trackin...

There are two major womens movements in Morocco: the Islamists who hold sharia as the platform for building a culture of womens rights, and the feminists who use the United Nations framework to amend sharia law. Between Feminism and Islam shows how the interactions of these movements over the past two decades have transformed the debates, the organization, and the strategies of each other.In Betwe...

There are two major womens movements in Morocco: the Islamists who hold sharia as the platform for building a culture of womens rights, and the feminists who use the United Nations framework to amend sharia law. Between Feminism and Islam shows how the interactions of these movements over the past two decades have transformed the debates, the organization, and the strategies of each other.In Betwe...

There are two major womens movements in Morocco: the Islamists who hold sharia as the platform for building a culture of womens rights, and the feminists who use the United Nations framework to amend sharia law. Between Feminism and Islam shows how the interactions of these movements over the past two decades have transformed the debates, the organization, and the strategies of each other.In Betwe...

Shahrazad, the legendary fictional storyteller who spun the tales of the 1,001 Arabian Nights, has long been rendered as a silent exotic beauty by Western film and fiction adaptations. Now, she talks back to present a new image of Muslim women.In Liberating Shahrazad, Suzanne Gauch analyzes how postcolonial writers and filmmakers from Algeria, Morocco, and Tunisia have reclaimed the storyteller in...

Shahrazad, the legendary fictional storyteller who spun the tales of the 1,001 Arabian Nights, has long been rendered as a silent exotic beauty by Western film and fiction adaptations. Now, she talks back to present a new image of Muslim women.In Liberating Shahrazad, Suzanne Gauch analyzes how postcolonial writers and filmmakers from Algeria, Morocco, and Tunisia have reclaimed the storyteller in...

Shahrazad, the legendary fictional storyteller who spun the tales of the 1,001 Arabian Nights, has long been rendered as a silent exotic beauty by Western film and fiction adaptations. Now, she talks back to present a new image of Muslim women.In Liberating Shahrazad, Suzanne Gauch analyzes how postcolonial writers and filmmakers from Algeria, Morocco, and Tunisia have reclaimed the storyteller in...

Shahrazad, the legendary fictional storyteller who spun the tales of the 1,001 Arabian Nights, has long been rendered as a silent exotic beauty by Western film and fiction adaptations. Now, she talks back to present a new image of Muslim women.In Liberating Shahrazad, Suzanne Gauch analyzes how postcolonial writers and filmmakers from Algeria, Morocco, and Tunisia have reclaimed the storyteller in...

Shahrazad, the legendary fictional storyteller who spun the tales of the 1,001 Arabian Nights, has long been rendered as a silent exotic beauty by Western film and fiction adaptations. Now, she talks back to present a new image of Muslim women.In Liberating Shahrazad, Suzanne Gauch analyzes how postcolonial writers and filmmakers from Algeria, Morocco, and Tunisia have reclaimed the storyteller in...

Shahrazad, the legendary fictional storyteller who spun the tales of the 1,001 Arabian Nights, has long been rendered as a silent exotic beauty by Western film and fiction adaptations. Now, she talks back to present a new image of Muslim women.In Liberating Shahrazad, Suzanne Gauch analyzes how postcolonial writers and filmmakers from Algeria, Morocco, and Tunisia have reclaimed the storyteller in...

Shahrazad, the legendary fictional storyteller who spun the tales of the 1,001 Arabian Nights, has long been rendered as a silent exotic beauty by Western film and fiction adaptations. Now, she talks back to present a new image of Muslim women.In Liberating Shahrazad, Suzanne Gauch analyzes how postcolonial writers and filmmakers from Algeria, Morocco, and Tunisia have reclaimed the storyteller in...

Shahrazad, the legendary fictional storyteller who spun the tales of the 1,001 Arabian Nights, has long been rendered as a silent exotic beauty by Western film and fiction adaptations. Now, she talks back to present a new image of Muslim women.In Liberating Shahrazad, Suzanne Gauch analyzes how postcolonial writers and filmmakers from Algeria, Morocco, and Tunisia have reclaimed the storyteller in...

Shahrazad, the legendary fictional storyteller who spun the tales of the 1,001 Arabian Nights, has long been rendered as a silent exotic beauty by Western film and fiction adaptations. Now, she talks back to present a new image of Muslim women.In Liberating Shahrazad, Suzanne Gauch analyzes how postcolonial writers and filmmakers from Algeria, Morocco, and Tunisia have reclaimed the storyteller in...

Shahrazad, the legendary fictional storyteller who spun the tales of the 1,001 Arabian Nights, has long been rendered as a silent exotic beauty by Western film and fiction adaptations. Now, she talks back to present a new image of Muslim women.In Liberating Shahrazad, Suzanne Gauch analyzes how postcolonial writers and filmmakers from Algeria, Morocco, and Tunisia have reclaimed the storyteller in...

In Does Writing Have a Future?, a remarkably perceptive work first published in German in 1987, Vilém Flusser asks what will happen to thought and communication as written communication gives way, inevitably, to digital expression. In his introduction, Flusser proposes that writing does not, in fact, have a future because everything that is now conveyed in writing-and much that cannot be-can be re...

In Animes Media Mix, Marc Steinberg convincingly shows that anime is far more than a style of Japanese animation. Beyond its immediate form of cartooning, anime is also a unique mode of cultural production and consumption that led to the phenomenon that is today called media mix in Japan and convergence in the West.According to Steinberg, both anime and the media mix were ignited on January 1, 196...

In Animes Media Mix, Marc Steinberg convincingly shows that anime is far more than a style of Japanese animation. Beyond its immediate form of cartooning, anime is also a unique mode of cultural production and consumption that led to the phenomenon that is today called media mix in Japan and convergence in the West.According to Steinberg, both anime and the media mix were ignited on January 1, 196...

In Animes Media Mix, Marc Steinberg convincingly shows that anime is far more than a style of Japanese animation. Beyond its immediate form of cartooning, anime is also a unique mode of cultural production and consumption that led to the phenomenon that is today called media mix in Japan and convergence in the West.According to Steinberg, both anime and the media mix were ignited on January 1, 196...

In Animes Media Mix, Marc Steinberg convincingly shows that anime is far more than a style of Japanese animation. Beyond its immediate form of cartooning, anime is also a unique mode of cultural production and consumption that led to the phenomenon that is today called media mix in Japan and convergence in the West.According to Steinberg, both anime and the media mix were ignited on January 1, 196...

In Animes Media Mix, Marc Steinberg convincingly shows that anime is far more than a style of Japanese animation. Beyond its immediate form of cartooning, anime is also a unique mode of cultural production and consumption that led to the phenomenon that is today called media mix in Japan and convergence in the West.According to Steinberg, both anime and the media mix were ignited on January 1, 196...

In Animes Media Mix, Marc Steinberg convincingly shows that anime is far more than a style of Japanese animation. Beyond its immediate form of cartooning, anime is also a unique mode of cultural production and consumption that led to the phenomenon that is today called media mix in Japan and convergence in the West.According to Steinberg, both anime and the media mix were ignited on January 1, 196...

In Animes Media Mix, Marc Steinberg convincingly shows that anime is far more than a style of Japanese animation. Beyond its immediate form of cartooning, anime is also a unique mode of cultural production and consumption that led to the phenomenon that is today called media mix in Japan and convergence in the West.According to Steinberg, both anime and the media mix were ignited on January 1, 196...