Ravel composed the original piano version of this piece in 1899 after resuming his studies at the Paris Conservatory. It was published the next year and became an overnight success. Despite some self-criticism of his youthful work for being poor in form, Ravel thought well enough of it to prepare an orchestral version in late 1910, which was given its premiere under the baton of Henry Wood at the ...

Ravel composed the original piano version of this piece in 1899 after resuming his studies at the Paris Conservatory. It was published the next year and became an overnight success. Despite some self-criticism of his youthful work for being poor in form, Ravel thought well enough of it to prepare an orchestral version in late 1910, which was given its premiere under the baton of Henry Wood at the ...

Ravel composed the original piano version of this piece in 1899 after resuming his studies at the Paris Conservatory. It was published the next year and became an overnight success. Despite some self-criticism of his youthful work for being poor in form, Ravel thought well enough of it to prepare an orchestral version in late 1910, which was given its premiere under the baton of Henry Wood at the ...

Ravel composed the original piano version of this piece in 1899 after resuming his studies at the Paris Conservatory. It was published the next year and became an overnight success. Despite some self-criticism of his youthful work for being poor in form, Ravel thought well enough of it to prepare an orchestral version in late 1910, which was given its premiere under the baton of Henry Wood at the ...

Ravel composed the original piano version of this piece in 1899 after resuming his studies at the Paris Conservatory. It was published the next year and became an overnight success. Despite some self-criticism of his youthful work for being poor in form, Ravel thought well enough of it to prepare an orchestral version in late 1910, which was given its premiere under the baton of Henry Wood at the ...

First composed in 1869, Tchaikovskys popular overture-fantasia was premiered in Moscow on March 16, 1870 with the Russian Musical Society under the baton of Nikolay Rubinstein. The composer expanded the work later that year, which was the first version published (1871, Berlin) and this second version was given in St. Petersburg at that citys branch of the RMS under Eduard Napravnik. Still not quit...

First composed in 1869, Tchaikovskys popular overture-fantasia was premiered in Moscow on March 16, 1870 with the Russian Musical Society under the baton of Nikolay Rubinstein. The composer expanded the work later that year, which was the first version published (1871, Berlin) and this second version was given in St. Petersburg at that citys branch of the RMS under Eduard Napravnik. Still not quit...

First composed in 1869, Tchaikovskys popular overture-fantasia was premiered in Moscow on March 16, 1870 with the Russian Musical Society under the baton of Nikolay Rubinstein. The composer expanded the work later that year, which was the first version published (1871, Berlin) and this second version was given in St. Petersburg at that citys branch of the RMS under Eduard Napravnik. Still not quit...

First composed in 1869, Tchaikovskys popular overture-fantasia was premiered in Moscow on March 16, 1870 with the Russian Musical Society under the baton of Nikolay Rubinstein. The composer expanded the work later that year, which was the first version published (1871, Berlin) and this second version was given in St. Petersburg at that citys branch of the RMS under Eduard Napravnik. Still not quit...

First composed in 1869, Tchaikovskys popular overture-fantasia was premiered in Moscow on March 16, 1870 with the Russian Musical Society under the baton of Nikolay Rubinstein. The composer expanded the work later that year, which was the first version published (1871, Berlin) and this second version was given in St. Petersburg at that citys branch of the RMS under Eduard Napravnik. Still not quit...

First composed in 1869, Tchaikovskys popular overture-fantasia was premiered in Moscow on March 16, 1870 with the Russian Musical Society under the baton of Nikolay Rubinstein. The composer expanded the work later that year, which was the first version published (1871, Berlin) and this second version was given in St. Petersburg at that citys branch of the RMS under Eduard Napravnik. Still not quit...

First composed in 1869, Tchaikovskys popular overture-fantasia was premiered in Moscow on March 16, 1870 with the Russian Musical Society under the baton of Nikolay Rubinstein. The composer expanded the work later that year, which was the first version published (1871, Berlin) and this second version was given in St. Petersburg at that citys branch of the RMS under Eduard Napravnik. Still not quit...

Originally composed for piano duet, Debussys Peite suite was first peformed in Paris by the composer and Jacques Durand at a private hearing on February 2, 1889 and became immediately popular after its publication the same year. Its widespread popularity resulted in demands from the publisher for an orchestral setting. The composer, too busy with new works, ultimately assigned the orchestration ta...

Originally composed for piano duet, Debussys Peite suite was first peformed in Paris by the composer and Jacques Durand at a private hearing on February 2, 1889 and became immediately popular after its publication the same year. Its widespread popularity resulted in demands from the publisher for an orchestral setting. The composer, too busy with new works, ultimately assigned the orchestration ta...

Originally composed for piano duet, Debussys Peite suite was first peformed in Paris by the composer and Jacques Durand at a private hearing on February 2, 1889 and became immediately popular after its publication the same year. Its widespread popularity resulted in demands from the publisher for an orchestral setting. The composer, too busy with new works, ultimately assigned the orchestration ta...

Originally composed for piano duet, Debussys Peite suite was first peformed in Paris by the composer and Jacques Durand at a private hearing on February 2, 1889 and became immediately popular after its publication the same year. Its widespread popularity resulted in demands from the publisher for an orchestral setting. The composer, too busy with new works, ultimately assigned the orchestration ta...

Originally composed for piano duet, Debussys Peite suite was first peformed in Paris by the composer and Jacques Durand at a private hearing on February 2, 1889 and became immediately popular after its publication the same year. Its widespread popularity resulted in demands from the publisher for an orchestral setting. The composer, too busy with new works, ultimately assigned the orchestration ta...

Originally composed for piano duet, Debussys Peite suite was first peformed in Paris by the composer and Jacques Durand at a private hearing on February 2, 1889 and became immediately popular after its publication the same year. Its widespread popularity resulted in demands from the publisher for an orchestral setting. The composer, too busy with new works, ultimately assigned the orchestration ta...

Originally composed for piano duet, Debussys Peite suite was first peformed in Paris by the composer and Jacques Durand at a private hearing on February 2, 1889 and became immediately popular after its publication the same year. Its widespread popularity resulted in demands from the publisher for an orchestral setting. The composer, too busy with new works, ultimately assigned the orchestration ta...

Composed in August of 1920 while vacationing in his native Switzerland, Pastorale dete (Summer Pastorale) evokes a peaceful summer morning in the Swiss Alps. The composer even prefaced the first published edition of the score with an epigraph by Arthur Rimbaud - I have embraced the summer dawn. The premiere took place in Paris at the Salle Gaveau under the baton of Vladimir Golschmann on February ...

Composed in August of 1920 while vacationing in his native Switzerland, Pastorale dete (Summer Pastorale) evokes a peaceful summer morning in the Swiss Alps. The composer even prefaced the first published edition of the score with an epigraph by Arthur Rimbaud - I have embraced the summer dawn. The premiere took place in Paris at the Salle Gaveau under the baton of Vladimir Golschmann on February ...

Composed in August of 1920 while vacationing in his native Switzerland, Pastorale dete (Summer Pastorale) evokes a peaceful summer morning in the Swiss Alps. The composer even prefaced the first published edition of the score with an epigraph by Arthur Rimbaud - I have embraced the summer dawn. The premiere took place in Paris at the Salle Gaveau under the baton of Vladimir Golschmann on February ...

Composed in August of 1920 while vacationing in his native Switzerland, Pastorale dete (Summer Pastorale) evokes a peaceful summer morning in the Swiss Alps. The composer even prefaced the first published edition of the score with an epigraph by Arthur Rimbaud - I have embraced the summer dawn. The premiere took place in Paris at the Salle Gaveau under the baton of Vladimir Golschmann on February ...

Composed in August of 1920 while vacationing in his native Switzerland, Pastorale dete (Summer Pastorale) evokes a peaceful summer morning in the Swiss Alps. The composer even prefaced the first published edition of the score with an epigraph by Arthur Rimbaud - I have embraced the summer dawn. The premiere took place in Paris at the Salle Gaveau under the baton of Vladimir Golschmann on February ...

Composed in August of 1920 while vacationing in his native Switzerland, Pastorale dete (Summer Pastorale) evokes a peaceful summer morning in the Swiss Alps. The composer even prefaced the first published edition of the score with an epigraph by Arthur Rimbaud - I have embraced the summer dawn. The premiere took place in Paris at the Salle Gaveau under the baton of Vladimir Golschmann on February ...

Composed in August of 1920 while vacationing in his native Switzerland, Pastorale dete (Summer Pastorale) evokes a peaceful summer morning in the Swiss Alps. The composer even prefaced the first published edition of the score with an epigraph by Arthur Rimbaud - I have embraced the summer dawn. The premiere took place in Paris at the Salle Gaveau under the baton of Vladimir Golschmann on February ...

Bartok originally set this series of folk tunes for piano in 1915. Two years later, he scored them for small orchestra. This is a newly engraved and corrected edition of the deservedly popular orchestral showpiece, available for the first time at a reasonable price for musicians, students and fans of Bartoks highly individual style. The convenient study score size is perfect for study and travel a...

Bartok originally set this series of folk tunes for piano in 1915. Two years later, he scored them for small orchestra. This is a newly engraved and corrected edition of the deservedly popular orchestral showpiece, available for the first time at a reasonable price for musicians, students and fans of Bartoks highly individual style. The convenient study score size is perfect for study and travel a...

Bartok originally set this series of folk tunes for piano in 1915. Two years later, he scored them for small orchestra. This is a newly engraved and corrected edition of the deservedly popular orchestral showpiece, available for the first time at a reasonable price for musicians, students and fans of Bartoks highly individual style. The convenient study score size is perfect for study and travel a...

Bartok originally set this series of folk tunes for piano in 1915. Two years later, he scored them for small orchestra. This is a newly engraved and corrected edition of the deservedly popular orchestral showpiece, available for the first time at a reasonable price for musicians, students and fans of Bartoks highly individual style. The convenient study score size is perfect for study and travel a...

Bartok originally set this series of folk tunes for piano in 1915. Two years later, he scored them for small orchestra. This is a newly engraved and corrected edition of the deservedly popular orchestral showpiece, available for the first time at a reasonable price for musicians, students and fans of Bartoks highly individual style. The convenient study score size is perfect for study and travel a...

Bartok originally set this series of folk tunes for piano in 1915. Two years later, he scored them for small orchestra. This is a newly engraved and corrected edition of the deservedly popular orchestral showpiece, available for the first time at a reasonable price for musicians, students and fans of Bartoks highly individual style. The convenient study score size is perfect for study and travel a...

Bartok originally set this series of folk tunes for piano in 1915. Two years later, he scored them for small orchestra. This is a newly engraved and corrected edition of the deservedly popular orchestral showpiece, available for the first time at a reasonable price for musicians, students and fans of Bartoks highly individual style. The convenient study score size is perfect for study and travel a...

The most famous of three settings of the Gloria text by Vivaldi, this one (RV 589) most likely dates from about the same time as its predecessor, during the composer's tenure at the Ospedale della Pietà convent in Venice (1713-40). It's also notable for the borrowing of the "Cum Sancto Spiritu" chorus in the setting by Vivaldi's fellow Venetian - Giovanni Maria Ruggieri. This new vocal score is a ...

The most famous of three settings of the Gloria text by Vivaldi, this one (RV 589) most likely dates from about the same time as its predecessor, during the composer's tenure at the Ospedale della Pietà convent in Venice (1713-40). It's also notable for the borrowing of the "Cum Sancto Spiritu" chorus in the setting by Vivaldi's fellow Venetian - Giovanni Maria Ruggieri. This new vocal score is a ...

The most famous of three settings of the Gloria text by Vivaldi, this one (RV 589) most likely dates from about the same time as its predecessor, during the composer's tenure at the Ospedale della Pietà convent in Venice (1713-40). It's also notable for the borrowing of the "Cum Sancto Spiritu" chorus in the setting by Vivaldi's fellow Venetian - Giovanni Maria Ruggieri. This new vocal score is a ...

The most famous of three settings of the Gloria text by Vivaldi, this one (RV 589) most likely dates from about the same time as its predecessor, during the composer's tenure at the Ospedale della Pietà convent in Venice (1713-40). It's also notable for the borrowing of the "Cum Sancto Spiritu" chorus in the setting by Vivaldi's fellow Venetian - Giovanni Maria Ruggieri. This new vocal score is a ...

The most famous of three settings of the Gloria text by Vivaldi, this one (RV 589) most likely dates from about the same time as its predecessor, during the composer's tenure at the Ospedale della Pietà convent in Venice (1713-40). It's also notable for the borrowing of the "Cum Sancto Spiritu" chorus in the setting by Vivaldi's fellow Venetian - Giovanni Maria Ruggieri. This new vocal score is a ...

The most famous of three settings of the Gloria text by Vivaldi, this one (RV 589) most likely dates from about the same time as its predecessor, during the composer's tenure at the Ospedale della Pietà convent in Venice (1713-40). It's also notable for the borrowing of the "Cum Sancto Spiritu" chorus in the setting by Vivaldi's fellow Venetian - Giovanni Maria Ruggieri. This new vocal score is a ...

The most famous of three settings of the Gloria text by Vivaldi, this one (RV 589) most likely dates from about the same time as its predecessor, during the composer's tenure at the Ospedale della Pietà convent in Venice (1713-40). It's also notable for the borrowing of the "Cum Sancto Spiritu" chorus in the setting by Vivaldi's fellow Venetian - Giovanni Maria Ruggieri. This new vocal score is a ...

Mahlers penultimate symphony received its premiere performance in Munich on September 12th, 1910 with a chorus of about 850, and an orchestra of 171. These massive forces led to Mahlers agent dubbing the work Symphony of a Thousand. Mahler did not approve of the title at all, but it remains. The piece was a great success at its premiere, one of few of Mahlers works to be well received in his lifet...

Mahlers penultimate symphony received its premiere performance in Munich on September 12th, 1910 with a chorus of about 850, and an orchestra of 171. These massive forces led to Mahlers agent dubbing the work Symphony of a Thousand. Mahler did not approve of the title at all, but it remains. The piece was a great success at its premiere, one of few of Mahlers works to be well received in his lifet...

Mahlers penultimate symphony received its premiere performance in Munich on September 12th, 1910 with a chorus of about 850, and an orchestra of 171. These massive forces led to Mahlers agent dubbing the work Symphony of a Thousand. Mahler did not approve of the title at all, but it remains. The piece was a great success at its premiere, one of few of Mahlers works to be well received in his lifet...

Mahlers penultimate symphony received its premiere performance in Munich on September 12th, 1910 with a chorus of about 850, and an orchestra of 171. These massive forces led to Mahlers agent dubbing the work Symphony of a Thousand. Mahler did not approve of the title at all, but it remains. The piece was a great success at its premiere, one of few of Mahlers works to be well received in his lifet...