Multiple joyce

Fiction. Jack Foleys autobiography begins, What is a life but stories? The stories collected here are not his life but a fantastic consciousness in which he is as lost as anyone. Foley writes what he does not know; he writes what he can imagine. The dead sprout up here as easily as leaves of grass. Stylistically the stories range widely--some are comic, some bring tears. All manifest the strangene...

Fiction. Jack Foleys autobiography begins, What is a life but stories? The stories collected here are not his life but a fantastic consciousness in which he is as lost as anyone. Foley writes what he does not know; he writes what he can imagine. The dead sprout up here as easily as leaves of grass. Stylistically the stories range widely--some are comic, some bring tears. All manifest the strangene...

In one hundred short essays David Collard navigates James Joyces astonishing cultural legacy in the century since the publication of Ulysses in 1922. Holding up a funhouse mirror to our times, Collard finds a multitude of Joyces, in often ludicrous disguises, wherever he looks-whether at Ally Sloper, Borsalino hats, Anthony Burgess, Cher, first editions, Flann OBrien, Guinness, Hattie Jacques, Joh...

In one hundred short essays David Collard navigates James Joyces astonishing cultural legacy in the century since the publication of Ulysses in 1922. Holding up a funhouse mirror to our times, Collard finds a multitude of Joyces, in often ludicrous disguises, wherever he looks-whether at Ally Sloper, Borsalino hats, Anthony Burgess, Cher, first editions, Flann OBrien, Guinness, Hattie Jacques, Joh...

In one hundred short essays David Collard navigates James Joyces astonishing cultural legacy in the century since the publication of Ulysses in 1922. Holding up a funhouse mirror to our times, Collard finds a multitude of Joyces, in often ludicrous disguises, wherever he looks-whether at Ally Sloper, Borsalino hats, Anthony Burgess, Cher, first editions, Flann OBrien, Guinness, Hattie Jacques, Joh...

In one hundred short essays David Collard navigates James Joyces astonishing cultural legacy in the century since the publication of Ulysses in 1922. Holding up a funhouse mirror to our times, Collard finds a multitude of Joyces, in often ludicrous disguises, wherever he looks-whether at Ally Sloper, Borsalino hats, Anthony Burgess, Cher, first editions, Flann OBrien, Guinness, Hattie Jacques, Joh...

In one hundred short essays David Collard navigates James Joyces astonishing cultural legacy in the century since the publication of Ulysses in 1922. Holding up a funhouse mirror to our times, Collard finds a multitude of Joyces, in often ludicrous disguises, wherever he looks-whether at Ally Sloper, Borsalino hats, Anthony Burgess, Cher, first editions, Flann OBrien, Guinness, Hattie Jacques, Joh...

In one hundred short essays David Collard navigates James Joyces astonishing cultural legacy in the century since the publication of Ulysses in 1922. Holding up a funhouse mirror to our times, Collard finds a multitude of Joyces, in often ludicrous disguises, wherever he looks-whether at Ally Sloper, Borsalino hats, Anthony Burgess, Cher, first editions, Flann OBrien, Guinness, Hattie Jacques, Joh...

In one hundred short essays David Collard navigates James Joyces astonishing cultural legacy in the century since the publication of Ulysses in 1922. Holding up a funhouse mirror to our times, Collard finds a multitude of Joyces, in often ludicrous disguises, wherever he looks-whether at Ally Sloper, Borsalino hats, Anthony Burgess, Cher, first editions, Flann OBrien, Guinness, Hattie Jacques, Joh...