Dessins sur la danses de vaslav nijinsky

Livro character dance

Livro the ballet called swan lake

Master of the russian ballet - the memoirs of enrico cecche

Michel fokine and his ballets

School of classical dance

The ballet called giselle

Brochura, com carimbo de livraria na folha de ante rosto.

Formato 14 X 22 cm. Com 109 págs. Brochura. Livro em bom estado de conservação. Capa, contra capa e lombada possuem sinais de manuseio e marca de dobra, miolo ok! Sem sinais de grifos e anotações. Idioma em Inglês. Obra contem fotografias coloridas. Sinopse: Graceful technique and perfect execution are only possible with perfectly fitting pointe shoes. For the first time in print, ballerina Angela...

ID 1625716 Lombada e capas desgastadas, páginas amareladas e/ou com manchas de oxidação, sem comprometer o conteúdo impresso.

ID 1625718 Lombada e capas com pouco desgaste, poucos sinais de manuseio e de oxidação no conteúdo impresso.

Bom estado, páginas limpas e brancas. Texto em inglês.

SKU: 32229755. Condição: USADO. . Capa dura, livro em perfeito estado, com 95 pag. tam. 15, 5x23cm. Dança

SKU: 32229754. Condição: USADO. . Capa dura, livro em perfeito estado, com 95 pag. tam. 15, 5x23cm. Dança

Livro the art of pas de deux

Michel Fokine and His Ballets

Michel Fokine and His Ballets

Michel Fokine and His Ballets

Michel Fokine and His Ballets

Michel Fokine and His Ballets

Michel Fokine and His Ballets

Michel Fokine and His Ballets

First published in 1944, this classic book remains the definitive work on the masterpiece of the Romantic Ballet, Giselle.The book is in two parts, the first dealing with the original 1841 production, the second with technical and critical aspects of the ballet. Part I charts the evolution of the Romantic Ballet, and then gives a detailed description of the original production of Giselle, includin...

First published in 1944, this classic book remains the definitive work on the masterpiece of the Romantic Ballet, Giselle.The book is in two parts, the first dealing with the original 1841 production, the second with technical and critical aspects of the ballet. Part I charts the evolution of the Romantic Ballet, and then gives a detailed description of the original production of Giselle, includin...

First published in 1944, this classic book remains the definitive work on the masterpiece of the Romantic Ballet, Giselle.The book is in two parts, the first dealing with the original 1841 production, the second with technical and critical aspects of the ballet. Part I charts the evolution of the Romantic Ballet, and then gives a detailed description of the original production of Giselle, includin...

First published in 1944, this classic book remains the definitive work on the masterpiece of the Romantic Ballet, Giselle.The book is in two parts, the first dealing with the original 1841 production, the second with technical and critical aspects of the ballet. Part I charts the evolution of the Romantic Ballet, and then gives a detailed description of the original production of Giselle, includin...

First published in 1944, this classic book remains the definitive work on the masterpiece of the Romantic Ballet, Giselle.The book is in two parts, the first dealing with the original 1841 production, the second with technical and critical aspects of the ballet. Part I charts the evolution of the Romantic Ballet, and then gives a detailed description of the original production of Giselle, includin...

First published in 1944, this classic book remains the definitive work on the masterpiece of the Romantic Ballet, Giselle.The book is in two parts, the first dealing with the original 1841 production, the second with technical and critical aspects of the ballet. Part I charts the evolution of the Romantic Ballet, and then gives a detailed description of the original production of Giselle, includin...

First published in 1944, this classic book remains the definitive work on the masterpiece of the Romantic Ballet, Giselle.The book is in two parts, the first dealing with the original 1841 production, the second with technical and critical aspects of the ballet. Part I charts the evolution of the Romantic Ballet, and then gives a detailed description of the original production of Giselle, includin...

First published in 1944, this classic book remains the definitive work on the masterpiece of the Romantic Ballet, Giselle.The book is in two parts, the first dealing with the original 1841 production, the second with technical and critical aspects of the ballet. Part I charts the evolution of the Romantic Ballet, and then gives a detailed description of the original production of Giselle, includin...

First published in 1944, this classic book remains the definitive work on the masterpiece of the Romantic Ballet, Giselle.The book is in two parts, the first dealing with the original 1841 production, the second with technical and critical aspects of the ballet. Part I charts the evolution of the Romantic Ballet, and then gives a detailed description of the original production of Giselle, includin...

First published in 1944, this classic book remains the definitive work on the masterpiece of the Romantic Ballet, Giselle.The book is in two parts, the first dealing with the original 1841 production, the second with technical and critical aspects of the ballet. Part I charts the evolution of the Romantic Ballet, and then gives a detailed description of the original production of Giselle, includin...

First published in 1944, this classic book remains the definitive work on the masterpiece of the Romantic Ballet, Giselle.The book is in two parts, the first dealing with the original 1841 production, the second with technical and critical aspects of the ballet. Part I charts the evolution of the Romantic Ballet, and then gives a detailed description of the original production of Giselle, includin...

First published in 1944, this classic book remains the definitive work on the masterpiece of the Romantic Ballet, Giselle.The book is in two parts, the first dealing with the original 1841 production, the second with technical and critical aspects of the ballet. Part I charts the evolution of the Romantic Ballet, and then gives a detailed description of the original production of Giselle, includin...

First published in 1944, this classic book remains the definitive work on the masterpiece of the Romantic Ballet, Giselle.The book is in two parts, the first dealing with the original 1841 production, the second with technical and critical aspects of the ballet. Part I charts the evolution of the Romantic Ballet, and then gives a detailed description of the original production of Giselle, includin...

First published in 1944, this classic book remains the definitive work on the masterpiece of the Romantic Ballet, Giselle.The book is in two parts, the first dealing with the original 1841 production, the second with technical and critical aspects of the ballet. Part I charts the evolution of the Romantic Ballet, and then gives a detailed description of the original production of Giselle, includin...

First published in 1944, this classic book remains the definitive work on the masterpiece of the Romantic Ballet, Giselle.The book is in two parts, the first dealing with the original 1841 production, the second with technical and critical aspects of the ballet. Part I charts the evolution of the Romantic Ballet, and then gives a detailed description of the original production of Giselle, includin...

Enrico Cecchetti was an Italian dancer and choreographer and one of the greatest teachers in the history of ballet. Born in a theatre dressing room in 1850, he was a pupil of Giovanni Lepri, and made his stage debut at La Scala, Milan in 1850, soon afterwards appearing in London and St. Petersburg. In 1890 he became a dancer and teacher in St. Petersburg, moving to Warsaw in 1902, and then returni...

Enrico Cecchetti was an Italian dancer and choreographer and one of the greatest teachers in the history of ballet. Born in a theatre dressing room in 1850, he was a pupil of Giovanni Lepri, and made his stage debut at La Scala, Milan in 1850, soon afterwards appearing in London and St. Petersburg. In 1890 he became a dancer and teacher in St. Petersburg, moving to Warsaw in 1902, and then returni...

Enrico Cecchetti was an Italian dancer and choreographer and one of the greatest teachers in the history of ballet. Born in a theatre dressing room in 1850, he was a pupil of Giovanni Lepri, and made his stage debut at La Scala, Milan in 1850, soon afterwards appearing in London and St. Petersburg. In 1890 he became a dancer and teacher in St. Petersburg, moving to Warsaw in 1902, and then returni...

Enrico Cecchetti was an Italian dancer and choreographer and one of the greatest teachers in the history of ballet. Born in a theatre dressing room in 1850, he was a pupil of Giovanni Lepri, and made his stage debut at La Scala, Milan in 1850, soon afterwards appearing in London and St. Petersburg. In 1890 he became a dancer and teacher in St. Petersburg, moving to Warsaw in 1902, and then returni...

Enrico Cecchetti was an Italian dancer and choreographer and one of the greatest teachers in the history of ballet. Born in a theatre dressing room in 1850, he was a pupil of Giovanni Lepri, and made his stage debut at La Scala, Milan in 1850, soon afterwards appearing in London and St. Petersburg. In 1890 he became a dancer and teacher in St. Petersburg, moving to Warsaw in 1902, and then returni...

Enrico Cecchetti was an Italian dancer and choreographer and one of the greatest teachers in the history of ballet. Born in a theatre dressing room in 1850, he was a pupil of Giovanni Lepri, and made his stage debut at La Scala, Milan in 1850, soon afterwards appearing in London and St. Petersburg. In 1890 he became a dancer and teacher in St. Petersburg, moving to Warsaw in 1902, and then returni...

Enrico Cecchetti was an Italian dancer and choreographer and one of the greatest teachers in the history of ballet. Born in a theatre dressing room in 1850, he was a pupil of Giovanni Lepri, and made his stage debut at La Scala, Milan in 1850, soon afterwards appearing in London and St. Petersburg. In 1890 he became a dancer and teacher in St. Petersburg, moving to Warsaw in 1902, and then returni...