Conflict over natural resources has made Africa the focus of international attention, particularly during the last decade. From oil in Nigeria and diamonds in the Democratic Republic of Congo, to land in Zimbabwe and water in the Horn of Africa, the politics surrounding ownership, management, and control of natural resources has disrupted communities and increased external intervention in these co...

Hildegard of Bingen (1098-1179), an important figure in her own time, has come increasingly to critical attention in recent years. Cause et Cure, attributed to Hildegard, is both a cosmological text and a medical handbook; it is a densely layered work woven together from diverse threads. It begins with a chapter on cosmology which leads to consideration of the human being as a small-scale copy of ...

Conflict over natural resources has made Africa the focus of international attention, particularly during the last decade. From oil in Nigeria and diamonds in the Democratic Republic of Congo, to land in Zimbabwe and water in the Horn of Africa, the politics surrounding ownership, management, and control of natural resources has disrupted communities and increased external intervention in these co...

Conflict over natural resources has made Africa the focus of international attention, particularly during the last decade. From oil in Nigeria and diamonds in the Democratic Republic of Congo, to land in Zimbabwe and water in the Horn of Africa, the politics surrounding ownership, management, and control of natural resources has disrupted communities and increased external intervention in these co...

Conflict over natural resources has made Africa the focus of international attention, particularly during the last decade. From oil in Nigeria and diamonds in the Democratic Republic of Congo, to land in Zimbabwe and water in the Horn of Africa, the politics surrounding ownership, management, and control of natural resources has disrupted communities and increased external intervention in these co...

Hildegard of Bingen (1098-1179), an important figure in her own time, has come increasingly to critical attention in recent years. Cause et Cure, attributed to Hildegard, is both a cosmological text and a medical handbook; it is a densely layered work woven together from diverse threads. It begins with a chapter on cosmology which leads to consideration of the human being as a small-scale copy of ...

Conflict over natural resources has made Africa the focus of international attention, particularly during the last decade. From oil in Nigeria and diamonds in the Democratic Republic of Congo, to land in Zimbabwe and water in the Horn of Africa, the politics surrounding ownership, management, and control of natural resources has disrupted communities and increased external intervention in these co...

Hildegard of Bingen (1098-1179), an important figure in her own time, has come increasingly to critical attention in recent years. Cause et Cure, attributed to Hildegard, is both a cosmological text and a medical handbook; it is a densely layered work woven together from diverse threads. It begins with a chapter on cosmology which leads to consideration of the human being as a small-scale copy of ...

Conflict over natural resources has made Africa the focus of international attention, particularly during the last decade. From oil in Nigeria and diamonds in the Democratic Republic of Congo, to land in Zimbabwe and water in the Horn of Africa, the politics surrounding ownership, management, and control of natural resources has disrupted communities and increased external intervention in these co...

Conflict over natural resources has made Africa the focus of international attention, particularly during the last decade. From oil in Nigeria and diamonds in the Democratic Republic of Congo, to land in Zimbabwe and water in the Horn of Africa, the politics surrounding ownership, management, and control of natural resources has disrupted communities and increased external intervention in these co...

Conflict over natural resources has made Africa the focus of international attention, particularly during the last decade. From oil in Nigeria and diamonds in the Democratic Republic of Congo, to land in Zimbabwe and water in the Horn of Africa, the politics surrounding ownership, management, and control of natural resources has disrupted communities and increased external intervention in these co...

Under Philip the Good, grandson of the founder of the duchy's power, Burgundy reached its apogee. Professor Vaughan portrays not only Philip the Good himself, perhaps the most attractive personality among the four great dukes, but the workings of the court and of one of the most efficent - if not necessarily the most popular - administrations in fifteenth-century Europe. The complex diplomatic his...

Under Philip the Good, grandson of the founder of the duchy's power, Burgundy reached its apogee. Professor Vaughan portrays not only Philip the Good himself, perhaps the most attractive personality among the four great dukes, but the workings of the court and of one of the most efficent - if not necessarily the most popular - administrations in fifteenth-century Europe. The complex diplomatic his...

Under Philip the Good, grandson of the founder of the duchy's power, Burgundy reached its apogee. Professor Vaughan portrays not only Philip the Good himself, perhaps the most attractive personality among the four great dukes, but the workings of the court and of one of the most efficent - if not necessarily the most popular - administrations in fifteenth-century Europe. The complex diplomatic his...

Under Philip the Good, grandson of the founder of the duchy's power, Burgundy reached its apogee. Professor Vaughan portrays not only Philip the Good himself, perhaps the most attractive personality among the four great dukes, but the workings of the court and of one of the most efficent - if not necessarily the most popular - administrations in fifteenth-century Europe. The complex diplomatic his...

Under Philip the Good, grandson of the founder of the duchy's power, Burgundy reached its apogee. Professor Vaughan portrays not only Philip the Good himself, perhaps the most attractive personality among the four great dukes, but the workings of the court and of one of the most efficent - if not necessarily the most popular - administrations in fifteenth-century Europe. The complex diplomatic his...

Under Philip the Good, grandson of the founder of the duchy's power, Burgundy reached its apogee. Professor Vaughan portrays not only Philip the Good himself, perhaps the most attractive personality among the four great dukes, but the workings of the court and of one of the most efficent - if not necessarily the most popular - administrations in fifteenth-century Europe. The complex diplomatic his...

Under Philip the Good, grandson of the founder of the duchy's power, Burgundy reached its apogee. Professor Vaughan portrays not only Philip the Good himself, perhaps the most attractive personality among the four great dukes, but the workings of the court and of one of the most efficent - if not necessarily the most popular - administrations in fifteenth-century Europe. The complex diplomatic his...

John the Fearless, second Duke of Burgundy, is one of the more dramatic and puzzling characters among medieval rulers. He inherited the newly created duchy from his father, and defended and developed its power ruthlessly during his ducal reign (1404-1419). In the process, he allied himself with the English party in France, with whom he was supposed to have made an 'infernal pact', and came to domi...

John the Fearless, second Duke of Burgundy, is one of the more dramatic and puzzling characters among medieval rulers. He inherited the newly created duchy from his father, and defended and developed its power ruthlessly during his ducal reign (1404-1419). In the process, he allied himself with the English party in France, with whom he was supposed to have made an 'infernal pact', and came to domi...

John the Fearless, second Duke of Burgundy, is one of the more dramatic and puzzling characters among medieval rulers. He inherited the newly created duchy from his father, and defended and developed its power ruthlessly during his ducal reign (1404-1419). In the process, he allied himself with the English party in France, with whom he was supposed to have made an 'infernal pact', and came to domi...

John the Fearless, second Duke of Burgundy, is one of the more dramatic and puzzling characters among medieval rulers. He inherited the newly created duchy from his father, and defended and developed its power ruthlessly during his ducal reign (1404-1419). In the process, he allied himself with the English party in France, with whom he was supposed to have made an 'infernal pact', and came to domi...

John the Fearless, second Duke of Burgundy, is one of the more dramatic and puzzling characters among medieval rulers. He inherited the newly created duchy from his father, and defended and developed its power ruthlessly during his ducal reign (1404-1419). In the process, he allied himself with the English party in France, with whom he was supposed to have made an 'infernal pact', and came to domi...

John the Fearless, second Duke of Burgundy, is one of the more dramatic and puzzling characters among medieval rulers. He inherited the newly created duchy from his father, and defended and developed its power ruthlessly during his ducal reign (1404-1419). In the process, he allied himself with the English party in France, with whom he was supposed to have made an 'infernal pact', and came to domi...

John the Fearless, second Duke of Burgundy, is one of the more dramatic and puzzling characters among medieval rulers. He inherited the newly created duchy from his father, and defended and developed its power ruthlessly during his ducal reign (1404-1419). In the process, he allied himself with the English party in France, with whom he was supposed to have made an 'infernal pact', and came to domi...

John the Fearless, second Duke of Burgundy, is one of the more dramatic and puzzling characters among medieval rulers. He inherited the newly created duchy from his father, and defended and developed its power ruthlessly during his ducal reign (1404-1419). In the process, he allied himself with the English party in France, with whom he was supposed to have made an 'infernal pact', and came to domi...

Knowledge about Vivaldi and his music is still advancing at an incredible rate - many discoveries occurred while the book was in preparation - and every effort has been made to ensure that The Vivaldi Compendium represents the latest in Vivaldi research, drawing on the authors close involvement with Vivaldi and Venetian music over four decades.

John the Fearless, second Duke of Burgundy, is one of the more dramatic and puzzling characters among medieval rulers. He inherited the newly created duchy from his father, and defended and developed its power ruthlessly during his ducal reign (1404-1419). In the process, he allied himself with the English party in France, with whom he was supposed to have made an 'infernal pact', and came to domi...

Knowledge about Vivaldi and his music is still advancing at an incredible rate - many discoveries occurred while the book was in preparation - and every effort has been made to ensure that The Vivaldi Compendium represents the latest in Vivaldi research, drawing on the authors close involvement with Vivaldi and Venetian music over four decades.

John the Fearless, second Duke of Burgundy, is one of the more dramatic and puzzling characters among medieval rulers. He inherited the newly created duchy from his father, and defended and developed its power ruthlessly during his ducal reign (1404-1419). In the process, he allied himself with the English party in France, with whom he was supposed to have made an 'infernal pact', and came to domi...

John the Fearless, second Duke of Burgundy, is one of the more dramatic and puzzling characters among medieval rulers. He inherited the newly created duchy from his father, and defended and developed its power ruthlessly during his ducal reign (1404-1419). In the process, he allied himself with the English party in France, with whom he was supposed to have made an 'infernal pact', and came to domi...

Knowledge about Vivaldi and his music is still advancing at an incredible rate - many discoveries occurred while the book was in preparation - and every effort has been made to ensure that The Vivaldi Compendium represents the latest in Vivaldi research, drawing on the authors close involvement with Vivaldi and Venetian music over four decades.

Knowledge about Vivaldi and his music is still advancing at an incredible rate - many discoveries occurred while the book was in preparation - and every effort has been made to ensure that The Vivaldi Compendium represents the latest in Vivaldi research, drawing on the authors close involvement with Vivaldi and Venetian music over four decades.

Knowledge about Vivaldi and his music is still advancing at an incredible rate - many discoveries occurred while the book was in preparation - and every effort has been made to ensure that The Vivaldi Compendium represents the latest in Vivaldi research, drawing on the authors close involvement with Vivaldi and Venetian music over four decades.

Knowledge about Vivaldi and his music is still advancing at an incredible rate - many discoveries occurred while the book was in preparation - and every effort has been made to ensure that The Vivaldi Compendium represents the latest in Vivaldi research, drawing on the authors close involvement with Vivaldi and Venetian music over four decades.

Knowledge about Vivaldi and his music is still advancing at an incredible rate - many discoveries occurred while the book was in preparation - and every effort has been made to ensure that The Vivaldi Compendium represents the latest in Vivaldi research, drawing on the authors close involvement with Vivaldi and Venetian music over four decades.

It is normally thought that the bass viol or viola da gamba dropped out of British musical life in the 1690s, and that Henry Purcell was the last composer to write for it. Peter Holman shows how the gamba changed its role and function in the Restoration period under the influence of foreign music and musicians; how it was played and composed for by the circle of immigrant musicians around Handel; ...

It is normally thought that the bass viol or viola da gamba dropped out of British musical life in the 1690s, and that Henry Purcell was the last composer to write for it. Peter Holman shows how the gamba changed its role and function in the Restoration period under the influence of foreign music and musicians; how it was played and composed for by the circle of immigrant musicians around Handel; ...

It is normally thought that the bass viol or viola da gamba dropped out of British musical life in the 1690s, and that Henry Purcell was the last composer to write for it. Peter Holman shows how the gamba changed its role and function in the Restoration period under the influence of foreign music and musicians; how it was played and composed for by the circle of immigrant musicians around Handel; ...

It is normally thought that the bass viol or viola da gamba dropped out of British musical life in the 1690s, and that Henry Purcell was the last composer to write for it. Peter Holman shows how the gamba changed its role and function in the Restoration period under the influence of foreign music and musicians; how it was played and composed for by the circle of immigrant musicians around Handel; ...

It is normally thought that the bass viol or viola da gamba dropped out of British musical life in the 1690s, and that Henry Purcell was the last composer to write for it. Peter Holman shows how the gamba changed its role and function in the Restoration period under the influence of foreign music and musicians; how it was played and composed for by the circle of immigrant musicians around Handel; ...

It is normally thought that the bass viol or viola da gamba dropped out of British musical life in the 1690s, and that Henry Purcell was the last composer to write for it. Peter Holman shows how the gamba changed its role and function in the Restoration period under the influence of foreign music and musicians; how it was played and composed for by the circle of immigrant musicians around Handel; ...

Margaret of Anjou was a vengeful and violent woman, or so we have been told, whose vindictive spirit fuelled the fifteenth-century dynastic conflict, the Wars of the Roses. In Shakespeares rendering she becomes an adulterous queen who mocks her captive enemy, Richard, duke of York, before killing him in cold blood. Shakespeares portrayal has proved to be remarkably resilient, because Margarets que...

Margaret of Anjou was a vengeful and violent woman, or so we have been told, whose vindictive spirit fuelled the fifteenth-century dynastic conflict, the Wars of the Roses. In Shakespeares rendering she becomes an adulterous queen who mocks her captive enemy, Richard, duke of York, before killing him in cold blood. Shakespeares portrayal has proved to be remarkably resilient, because Margarets que...