Livro performing the archive

Deleuze

Grey ecology

Philosophy of media sounds

Media opened music to sound, and made it universally available material for multiple collages. At the same time media puts music in the state of a constant murmuring drone, an incessant flowing. Music in the age of technical media continues to move between these two polarities. The outcome depends upon our creativity, and our competence, in both music and media. Philosophy of Media Sounds, edited ...

Media opened music to sound, and made it universally available material for multiple collages. At the same time media puts music in the state of a constant murmuring drone, an incessant flowing. Music in the age of technical media continues to move between these two polarities. The outcome depends upon our creativity, and our competence, in both music and media. Philosophy of Media Sounds, edited ...

Media opened music to sound, and made it universally available material for multiple collages. At the same time media puts music in the state of a constant murmuring drone, an incessant flowing. Music in the age of technical media continues to move between these two polarities. The outcome depends upon our creativity, and our competence, in both music and media. Philosophy of Media Sounds, edited ...

Media opened music to sound, and made it universally available material for multiple collages. At the same time media puts music in the state of a constant murmuring drone, an incessant flowing. Music in the age of technical media continues to move between these two polarities. The outcome depends upon our creativity, and our competence, in both music and media. Philosophy of Media Sounds, edited ...

Media opened music to sound, and made it universally available material for multiple collages. At the same time media puts music in the state of a constant murmuring drone, an incessant flowing. Music in the age of technical media continues to move between these two polarities. The outcome depends upon our creativity, and our competence, in both music and media. Philosophy of Media Sounds, edited ...

Media opened music to sound, and made it universally available material for multiple collages. At the same time media puts music in the state of a constant murmuring drone, an incessant flowing. Music in the age of technical media continues to move between these two polarities. The outcome depends upon our creativity, and our competence, in both music and media. Philosophy of Media Sounds, edited ...

Media opened music to sound, and made it universally available material for multiple collages. At the same time media puts music in the state of a constant murmuring drone, an incessant flowing. Music in the age of technical media continues to move between these two polarities. The outcome depends upon our creativity, and our competence, in both music and media. Philosophy of Media Sounds, edited ...

Here as Virilio states, all one can do is guess. But Virilios position is not one of pure guessery. His extrapolationist position against his delirium state, has the architecture of a 23rd century scientist: three parts - fractal geometry, two parts - theory of general relativity, one part - Philip K. Dick. One must step back and stare down the medusa of progress with a mirror. This is Virilios ca...

Here as Virilio states, all one can do is guess. But Virilios position is not one of pure guessery. His extrapolationist position against his delirium state, has the architecture of a 23rd century scientist: three parts - fractal geometry, two parts - theory of general relativity, one part - Philip K. Dick. One must step back and stare down the medusa of progress with a mirror. This is Virilios ca...

Here as Virilio states, all one can do is guess. But Virilios position is not one of pure guessery. His extrapolationist position against his delirium state, has the architecture of a 23rd century scientist: three parts - fractal geometry, two parts - theory of general relativity, one part - Philip K. Dick. One must step back and stare down the medusa of progress with a mirror. This is Virilios ca...

Here as Virilio states, all one can do is guess. But Virilios position is not one of pure guessery. His extrapolationist position against his delirium state, has the architecture of a 23rd century scientist: three parts - fractal geometry, two parts - theory of general relativity, one part - Philip K. Dick. One must step back and stare down the medusa of progress with a mirror. This is Virilios ca...

Here as Virilio states, all one can do is guess. But Virilios position is not one of pure guessery. His extrapolationist position against his delirium state, has the architecture of a 23rd century scientist: three parts - fractal geometry, two parts - theory of general relativity, one part - Philip K. Dick. One must step back and stare down the medusa of progress with a mirror. This is Virilios ca...

Here as Virilio states, all one can do is guess. But Virilios position is not one of pure guessery. His extrapolationist position against his delirium state, has the architecture of a 23rd century scientist: three parts - fractal geometry, two parts - theory of general relativity, one part - Philip K. Dick. One must step back and stare down the medusa of progress with a mirror. This is Virilios ca...

Here as Virilio states, all one can do is guess. But Virilios position is not one of pure guessery. His extrapolationist position against his delirium state, has the architecture of a 23rd century scientist: three parts - fractal geometry, two parts - theory of general relativity, one part - Philip K. Dick. One must step back and stare down the medusa of progress with a mirror. This is Virilios ca...

This is a collection of essays, most published here for the first time, on Gilles Deleuzes ideas about history and science. Its focus is on ontological or metaphysical questions: What are the legitimate social entities that can be used in historical explanations, given a materialist metaphysics? What are the legitimate inhabitants of the material world, natural and artificial, and what role should...

This is a collection of essays, most published here for the first time, on Gilles Deleuzes ideas about history and science. Its focus is on ontological or metaphysical questions: What are the legitimate social entities that can be used in historical explanations, given a materialist metaphysics? What are the legitimate inhabitants of the material world, natural and artificial, and what role should...

This is a collection of essays, most published here for the first time, on Gilles Deleuzes ideas about history and science. Its focus is on ontological or metaphysical questions: What are the legitimate social entities that can be used in historical explanations, given a materialist metaphysics? What are the legitimate inhabitants of the material world, natural and artificial, and what role should...

This is a collection of essays, most published here for the first time, on Gilles Deleuzes ideas about history and science. Its focus is on ontological or metaphysical questions: What are the legitimate social entities that can be used in historical explanations, given a materialist metaphysics? What are the legitimate inhabitants of the material world, natural and artificial, and what role should...

This is a collection of essays, most published here for the first time, on Gilles Deleuzes ideas about history and science. Its focus is on ontological or metaphysical questions: What are the legitimate social entities that can be used in historical explanations, given a materialist metaphysics? What are the legitimate inhabitants of the material world, natural and artificial, and what role should...

This is a collection of essays, most published here for the first time, on Gilles Deleuzes ideas about history and science. Its focus is on ontological or metaphysical questions: What are the legitimate social entities that can be used in historical explanations, given a materialist metaphysics? What are the legitimate inhabitants of the material world, natural and artificial, and what role should...

This is a collection of essays, most published here for the first time, on Gilles Deleuzes ideas about history and science. Its focus is on ontological or metaphysical questions: What are the legitimate social entities that can be used in historical explanations, given a materialist metaphysics? What are the legitimate inhabitants of the material world, natural and artificial, and what role should...