Translators Note 1What is Platonism? 3Symbols of Platonism 7Idealism and the Theory of Knowledge 11Plotinus and Neoplatonism 15Porphyrys Conception 19The One and the Many 23Ideals as an Embodiment of Life: Rodin 33The Esthetic Problem of the Portrait 39Hinton and the Higher Consciousness 45Picasso 49Four-Dimensional Perception 53The Meaning of Genus 65Genus and Species 69Idea and Countenance 79The...

Translators Note 1What is Platonism? 3Symbols of Platonism 7Idealism and the Theory of Knowledge 11Plotinus and Neoplatonism 15Porphyrys Conception 19The One and the Many 23Ideals as an Embodiment of Life: Rodin 33The Esthetic Problem of the Portrait 39Hinton and the Higher Consciousness 45Picasso 49Four-Dimensional Perception 53The Meaning of Genus 65Genus and Species 69Idea and Countenance 79The...

Translators Note 1What is Platonism? 3Symbols of Platonism 7Idealism and the Theory of Knowledge 11Plotinus and Neoplatonism 15Porphyrys Conception 19The One and the Many 23Ideals as an Embodiment of Life: Rodin 33The Esthetic Problem of the Portrait 39Hinton and the Higher Consciousness 45Picasso 49Four-Dimensional Perception 53The Meaning of Genus 65Genus and Species 69Idea and Countenance 79The...

Translators Note 1What is Platonism? 3Symbols of Platonism 7Idealism and the Theory of Knowledge 11Plotinus and Neoplatonism 15Porphyrys Conception 19The One and the Many 23Ideals as an Embodiment of Life: Rodin 33The Esthetic Problem of the Portrait 39Hinton and the Higher Consciousness 45Picasso 49Four-Dimensional Perception 53The Meaning of Genus 65Genus and Species 69Idea and Countenance 79The...

Translators Note 1What is Platonism? 3Symbols of Platonism 7Idealism and the Theory of Knowledge 11Plotinus and Neoplatonism 15Porphyrys Conception 19The One and the Many 23Ideals as an Embodiment of Life: Rodin 33The Esthetic Problem of the Portrait 39Hinton and the Higher Consciousness 45Picasso 49Four-Dimensional Perception 53The Meaning of Genus 65Genus and Species 69Idea and Countenance 79The...

Translators Note 1What is Platonism? 3Symbols of Platonism 7Idealism and the Theory of Knowledge 11Plotinus and Neoplatonism 15Porphyrys Conception 19The One and the Many 23Ideals as an Embodiment of Life: Rodin 33The Esthetic Problem of the Portrait 39Hinton and the Higher Consciousness 45Picasso 49Four-Dimensional Perception 53The Meaning of Genus 65Genus and Species 69Idea and Countenance 79The...

Translators Note 1What is Platonism? 3Symbols of Platonism 7Idealism and the Theory of Knowledge 11Plotinus and Neoplatonism 15Porphyrys Conception 19The One and the Many 23Ideals as an Embodiment of Life: Rodin 33The Esthetic Problem of the Portrait 39Hinton and the Higher Consciousness 45Picasso 49Four-Dimensional Perception 53The Meaning of Genus 65Genus and Species 69Idea and Countenance 79The...

Translators Note 1What is Platonism? 3Symbols of Platonism 7Idealism and the Theory of Knowledge 11Plotinus and Neoplatonism 15Porphyrys Conception 19The One and the Many 23Ideals as an Embodiment of Life: Rodin 33The Esthetic Problem of the Portrait 39Hinton and the Higher Consciousness 45Picasso 49Four-Dimensional Perception 53The Meaning of Genus 65Genus and Species 69Idea and Countenance 79The...

Translators Note 1What is Platonism? 3Symbols of Platonism 7Idealism and the Theory of Knowledge 11Plotinus and Neoplatonism 15Porphyrys Conception 19The One and the Many 23Ideals as an Embodiment of Life: Rodin 33The Esthetic Problem of the Portrait 39Hinton and the Higher Consciousness 45Picasso 49Four-Dimensional Perception 53The Meaning of Genus 65Genus and Species 69Idea and Countenance 79The...

Translators Note 1What is Platonism? 3Symbols of Platonism 7Idealism and the Theory of Knowledge 11Plotinus and Neoplatonism 15Porphyrys Conception 19The One and the Many 23Ideals as an Embodiment of Life: Rodin 33The Esthetic Problem of the Portrait 39Hinton and the Higher Consciousness 45Picasso 49Four-Dimensional Perception 53The Meaning of Genus 65Genus and Species 69Idea and Countenance 79The...

Translators Note 1What is Platonism? 3Symbols of Platonism 7Idealism and the Theory of Knowledge 11Plotinus and Neoplatonism 15Porphyrys Conception 19The One and the Many 23Ideals as an Embodiment of Life: Rodin 33The Esthetic Problem of the Portrait 39Hinton and the Higher Consciousness 45Picasso 49Four-Dimensional Perception 53The Meaning of Genus 65Genus and Species 69Idea and Countenance 79The...

Translators Note 1What is Platonism? 3Symbols of Platonism 7Idealism and the Theory of Knowledge 11Plotinus and Neoplatonism 15Porphyrys Conception 19The One and the Many 23Ideals as an Embodiment of Life: Rodin 33The Esthetic Problem of the Portrait 39Hinton and the Higher Consciousness 45Picasso 49Four-Dimensional Perception 53The Meaning of Genus 65Genus and Species 69Idea and Countenance 79The...

Translators Note 1What is Platonism? 3Symbols of Platonism 7Idealism and the Theory of Knowledge 11Plotinus and Neoplatonism 15Porphyrys Conception 19The One and the Many 23Ideals as an Embodiment of Life: Rodin 33The Esthetic Problem of the Portrait 39Hinton and the Higher Consciousness 45Picasso 49Four-Dimensional Perception 53The Meaning of Genus 65Genus and Species 69Idea and Countenance 79The...

This work, the third panel of a triptych dedicated by the author to thenotion of illness derived from the patristic and hagiographic texts of theChristian East from the first to the fourteenth centuries, makes anessential contribution to the history of mental illnesses and theirtherapies in a domain very little studied until now.Confronted by the numerous problems still posed today in understandin...

This work, the third panel of a triptych dedicated by the author to thenotion of illness derived from the patristic and hagiographic texts of theChristian East from the first to the fourteenth centuries, makes anessential contribution to the history of mental illnesses and theirtherapies in a domain very little studied until now.Confronted by the numerous problems still posed today in understandin...

This work, the third panel of a triptych dedicated by the author to thenotion of illness derived from the patristic and hagiographic texts of theChristian East from the first to the fourteenth centuries, makes anessential contribution to the history of mental illnesses and theirtherapies in a domain very little studied until now.Confronted by the numerous problems still posed today in understandin...

This work, the third panel of a triptych dedicated by the author to thenotion of illness derived from the patristic and hagiographic texts of theChristian East from the first to the fourteenth centuries, makes anessential contribution to the history of mental illnesses and theirtherapies in a domain very little studied until now.Confronted by the numerous problems still posed today in understandin...

This work, the third panel of a triptych dedicated by the author to thenotion of illness derived from the patristic and hagiographic texts of theChristian East from the first to the fourteenth centuries, makes anessential contribution to the history of mental illnesses and theirtherapies in a domain very little studied until now.Confronted by the numerous problems still posed today in understandin...

This work, the third panel of a triptych dedicated by the author to thenotion of illness derived from the patristic and hagiographic texts of theChristian East from the first to the fourteenth centuries, makes anessential contribution to the history of mental illnesses and theirtherapies in a domain very little studied until now.Confronted by the numerous problems still posed today in understandin...

This work, the third panel of a triptych dedicated by the author to thenotion of illness derived from the patristic and hagiographic texts of theChristian East from the first to the fourteenth centuries, makes anessential contribution to the history of mental illnesses and theirtherapies in a domain very little studied until now.Confronted by the numerous problems still posed today in understandin...

This work, the third panel of a triptych dedicated by the author to thenotion of illness derived from the patristic and hagiographic texts of theChristian East from the first to the fourteenth centuries, makes anessential contribution to the history of mental illnesses and theirtherapies in a domain very little studied until now.Confronted by the numerous problems still posed today in understandin...

This work, the third panel of a triptych dedicated by the author to thenotion of illness derived from the patristic and hagiographic texts of theChristian East from the first to the fourteenth centuries, makes anessential contribution to the history of mental illnesses and theirtherapies in a domain very little studied until now.Confronted by the numerous problems still posed today in understandin...

This work, the third panel of a triptych dedicated by the author to thenotion of illness derived from the patristic and hagiographic texts of theChristian East from the first to the fourteenth centuries, makes anessential contribution to the history of mental illnesses and theirtherapies in a domain very little studied until now.Confronted by the numerous problems still posed today in understandin...

This work, the third panel of a triptych dedicated by the author to thenotion of illness derived from the patristic and hagiographic texts of theChristian East from the first to the fourteenth centuries, makes anessential contribution to the history of mental illnesses and theirtherapies in a domain very little studied until now.Confronted by the numerous problems still posed today in understandin...

This work, the third panel of a triptych dedicated by the author to thenotion of illness derived from the patristic and hagiographic texts of theChristian East from the first to the fourteenth centuries, makes anessential contribution to the history of mental illnesses and theirtherapies in a domain very little studied until now.Confronted by the numerous problems still posed today in understandin...

This work, the third panel of a triptych dedicated by the author to thenotion of illness derived from the patristic and hagiographic texts of theChristian East from the first to the fourteenth centuries, makes anessential contribution to the history of mental illnesses and theirtherapies in a domain very little studied until now.Confronted by the numerous problems still posed today in understandin...

This work, the third panel of a triptych dedicated by the author to thenotion of illness derived from the patristic and hagiographic texts of theChristian East from the first to the fourteenth centuries, makes anessential contribution to the history of mental illnesses and theirtherapies in a domain very little studied until now.Confronted by the numerous problems still posed today in understandin...

This work, the third panel of a triptych dedicated by the author to thenotion of illness derived from the patristic and hagiographic texts of theChristian East from the first to the fourteenth centuries, makes anessential contribution to the history of mental illnesses and theirtherapies in a domain very little studied until now.Confronted by the numerous problems still posed today in understandin...

This work, the third panel of a triptych dedicated by the author to thenotion of illness derived from the patristic and hagiographic texts of theChristian East from the first to the fourteenth centuries, makes anessential contribution to the history of mental illnesses and theirtherapies in a domain very little studied until now.Confronted by the numerous problems still posed today in understandin...

This work, the third panel of a triptych dedicated by the author to thenotion of illness derived from the patristic and hagiographic texts of theChristian East from the first to the fourteenth centuries, makes anessential contribution to the history of mental illnesses and theirtherapies in a domain very little studied until now.Confronted by the numerous problems still posed today in understandin...

This work, the third panel of a triptych dedicated by the author to thenotion of illness derived from the patristic and hagiographic texts of theChristian East from the first to the fourteenth centuries, makes anessential contribution to the history of mental illnesses and theirtherapies in a domain very little studied until now.Confronted by the numerous problems still posed today in understandin...

Together, the three books in this series incorporate all 350 of James Tissot's paintings of the life of Jesus, themselves largely inspired by his reading of the visions of Emmerich in the late 1800s, as well as new material, some translated for the first time from Clemens Brentano's original notes of the visions. On the basis of comprehensive chronological and geographic studies by Fr. Helmut Fahs...

Together, the three books in this series incorporate all 350 of James Tissot's paintings of the life of Jesus, themselves largely inspired by his reading of the visions of Emmerich in the late 1800s, as well as new material, some translated for the first time from Clemens Brentano's original notes of the visions. On the basis of comprehensive chronological and geographic studies by Fr. Helmut Fahs...

Together, the three books in this series incorporate all 350 of James Tissot's paintings of the life of Jesus, themselves largely inspired by his reading of the visions of Emmerich in the late 1800s, as well as new material, some translated for the first time from Clemens Brentano's original notes of the visions. On the basis of comprehensive chronological and geographic studies by Fr. Helmut Fahs...

Together, the three books in this series incorporate all 350 of James Tissot's paintings of the life of Jesus, themselves largely inspired by his reading of the visions of Emmerich in the late 1800s, as well as new material, some translated for the first time from Clemens Brentano's original notes of the visions. On the basis of comprehensive chronological and geographic studies by Fr. Helmut Fahs...

Together, the three books in this series incorporate all 350 of James Tissot's paintings of the life of Jesus, themselves largely inspired by his reading of the visions of Emmerich in the late 1800s, as well as new material, some translated for the first time from Clemens Brentano's original notes of the visions. On the basis of comprehensive chronological and geographic studies by Fr. Helmut Fahs...

Together, the three books in this series incorporate all 350 of James Tissot's paintings of the life of Jesus, themselves largely inspired by his reading of the visions of Emmerich in the late 1800s, as well as new material, some translated for the first time from Clemens Brentano's original notes of the visions. On the basis of comprehensive chronological and geographic studies by Fr. Helmut Fahs...

Together, the three books in this series incorporate all 350 of James Tissot's paintings of the life of Jesus, themselves largely inspired by his reading of the visions of Emmerich in the late 1800s, as well as new material, some translated for the first time from Clemens Brentano's original notes of the visions. On the basis of comprehensive chronological and geographic studies by Fr. Helmut Fahs...

Together, the three books in this series incorporate all 350 of James Tissot's paintings of the life of Jesus, themselves largely inspired by his reading of the visions of Emmerich in the late 1800s, as well as new material, some translated for the first time from Clemens Brentano's original notes of the visions. On the basis of comprehensive chronological and geographic studies by Fr. Helmut Fahs...

Together, the three books in this series incorporate all 350 of James Tissot's paintings of the life of Jesus, themselves largely inspired by his reading of the visions of Emmerich in the late 1800s, as well as new material, some translated for the first time from Clemens Brentano's original notes of the visions. On the basis of comprehensive chronological and geographic studies by Fr. Helmut Fahs...

Together, the three books in this series incorporate all 350 of James Tissot's paintings of the life of Jesus, themselves largely inspired by his reading of the visions of Emmerich in the late 1800s, as well as new material, some translated for the first time from Clemens Brentano's original notes of the visions.On the basis of comprehensive chronological and geographic studies by Fr. Helmut Fahse...

Together, the three books in this series incorporate all 350 of James Tissot's paintings of the life of Jesus, themselves largely inspired by his reading of the visions of Emmerich in the late 1800s, as well as new material, some translated for the first time from Clemens Brentano's original notes of the visions.On the basis of comprehensive chronological and geographic studies by Fr. Helmut Fahse...

Together, the three books in this series incorporate all 350 of James Tissot's paintings of the life of Jesus, themselves largely inspired by his reading of the visions of Emmerich in the late 1800s, as well as new material, some translated for the first time from Clemens Brentano's original notes of the visions. On the basis of comprehensive chronological and geographic studies by Fr. Helmut Fahs...

Together, the three books in this series incorporate all 350 of James Tissot's paintings of the life of Jesus, themselves largely inspired by his reading of the visions of Emmerich in the late 1800s, as well as new material, some translated for the first time from Clemens Brentano's original notes of the visions.On the basis of comprehensive chronological and geographic studies by Fr. Helmut Fahse...