A 1908 collection of traditional fables and folktales. Twenty-two charming Japanese Fairy Tales, selected and translated by Yei Theodora Ozaki, including "My Lord Bag of Rice," "The Tongue-Cut Sparrow," "The Story of Urashima Taro, the Fisher Lad," "The Farmer and the Badger," "The Shinansha, or the South Pointing Carriage," "The Adventures of Kintaro, the Golden Boy," "The Story of Princess Hase,...

A 1908 collection of traditional fables and folktales. Twenty-two charming Japanese Fairy Tales, selected and translated by Yei Theodora Ozaki, including "My Lord Bag of Rice," "The Tongue-Cut Sparrow," "The Story of Urashima Taro, the Fisher Lad," "The Farmer and the Badger," "The Shinansha, or the South Pointing Carriage," "The Adventures of Kintaro, the Golden Boy," "The Story of Princess Hase,...

A 1908 collection of traditional fables and folktales. Twenty-two charming Japanese Fairy Tales, selected and translated by Yei Theodora Ozaki, including "My Lord Bag of Rice," "The Tongue-Cut Sparrow," "The Story of Urashima Taro, the Fisher Lad," "The Farmer and the Badger," "The Shinansha, or the South Pointing Carriage," "The Adventures of Kintaro, the Golden Boy," "The Story of Princess Hase,...

A 1908 collection of traditional fables and folktales. Twenty-two charming Japanese Fairy Tales, selected and translated by Yei Theodora Ozaki, including "My Lord Bag of Rice," "The Tongue-Cut Sparrow," "The Story of Urashima Taro, the Fisher Lad," "The Farmer and the Badger," "The Shinansha, or the South Pointing Carriage," "The Adventures of Kintaro, the Golden Boy," "The Story of Princess Hase,...

A 1908 collection of traditional fables and folktales. Twenty-two charming Japanese Fairy Tales, selected and translated by Yei Theodora Ozaki, including "My Lord Bag of Rice," "The Tongue-Cut Sparrow," "The Story of Urashima Taro, the Fisher Lad," "The Farmer and the Badger," "The Shinansha, or the South Pointing Carriage," "The Adventures of Kintaro, the Golden Boy," "The Story of Princess Hase,...

A 1908 collection of traditional fables and folktales. Twenty-two charming Japanese Fairy Tales, selected and translated by Yei Theodora Ozaki, including "My Lord Bag of Rice," "The Tongue-Cut Sparrow," "The Story of Urashima Taro, the Fisher Lad," "The Farmer and the Badger," "The Shinansha, or the South Pointing Carriage," "The Adventures of Kintaro, the Golden Boy," "The Story of Princess Hase,...

A 1908 collection of traditional fables and folktales. Twenty-two charming Japanese Fairy Tales, selected and translated by Yei Theodora Ozaki, including "My Lord Bag of Rice," "The Tongue-Cut Sparrow," "The Story of Urashima Taro, the Fisher Lad," "The Farmer and the Badger," "The Shinansha, or the South Pointing Carriage," "The Adventures of Kintaro, the Golden Boy," "The Story of Princess Hase,...

A 1908 collection of traditional fables and folktales. Twenty-two charming Japanese Fairy Tales, selected and translated by Yei Theodora Ozaki, including "My Lord Bag of Rice," "The Tongue-Cut Sparrow," "The Story of Urashima Taro, the Fisher Lad," "The Farmer and the Badger," "The Shinansha, or the South Pointing Carriage," "The Adventures of Kintaro, the Golden Boy," "The Story of Princess Hase,...

A 1908 collection of traditional fables and folktales. Twenty-two charming Japanese Fairy Tales, selected and translated by Yei Theodora Ozaki, including "My Lord Bag of Rice," "The Tongue-Cut Sparrow," "The Story of Urashima Taro, the Fisher Lad," "The Farmer and the Badger," "The Shinansha, or the South Pointing Carriage," "The Adventures of Kintaro, the Golden Boy," "The Story of Princess Hase,...

A 1908 collection of traditional fables and folktales. Twenty-two charming Japanese Fairy Tales, selected and translated by Yei Theodora Ozaki, including "My Lord Bag of Rice," "The Tongue-Cut Sparrow," "The Story of Urashima Taro, the Fisher Lad," "The Farmer and the Badger," "The Shinansha, or the South Pointing Carriage," "The Adventures of Kintaro, the Golden Boy," "The Story of Princess Hase,...

He began by breaking things that morning. He broke the glass of water on his night stand. He knocked it crazily against the opposite wall and shattered it. Yet it shattered slowly. This would have surprised him if he had been fully awake, for he had only reached out sleepily for it. Nor had he wakened regularly to his alarm; he had wakened to a weird, slow, low booming, yet the clock said six, tim...

He began by breaking things that morning. He broke the glass of water on his night stand. He knocked it crazily against the opposite wall and shattered it. Yet it shattered slowly. This would have surprised him if he had been fully awake, for he had only reached out sleepily for it. Nor had he wakened regularly to his alarm; he had wakened to a weird, slow, low booming, yet the clock said six, tim...

He began by breaking things that morning. He broke the glass of water on his night stand. He knocked it crazily against the opposite wall and shattered it. Yet it shattered slowly. This would have surprised him if he had been fully awake, for he had only reached out sleepily for it. Nor had he wakened regularly to his alarm; he had wakened to a weird, slow, low booming, yet the clock said six, tim...

He began by breaking things that morning. He broke the glass of water on his night stand. He knocked it crazily against the opposite wall and shattered it. Yet it shattered slowly. This would have surprised him if he had been fully awake, for he had only reached out sleepily for it. Nor had he wakened regularly to his alarm; he had wakened to a weird, slow, low booming, yet the clock said six, tim...

He began by breaking things that morning. He broke the glass of water on his night stand. He knocked it crazily against the opposite wall and shattered it. Yet it shattered slowly. This would have surprised him if he had been fully awake, for he had only reached out sleepily for it. Nor had he wakened regularly to his alarm; he had wakened to a weird, slow, low booming, yet the clock said six, tim...

He began by breaking things that morning. He broke the glass of water on his night stand. He knocked it crazily against the opposite wall and shattered it. Yet it shattered slowly. This would have surprised him if he had been fully awake, for he had only reached out sleepily for it. Nor had he wakened regularly to his alarm; he had wakened to a weird, slow, low booming, yet the clock said six, tim...

He began by breaking things that morning. He broke the glass of water on his night stand. He knocked it crazily against the opposite wall and shattered it. Yet it shattered slowly. This would have surprised him if he had been fully awake, for he had only reached out sleepily for it. Nor had he wakened regularly to his alarm; he had wakened to a weird, slow, low booming, yet the clock said six, tim...

He began by breaking things that morning. He broke the glass of water on his night stand. He knocked it crazily against the opposite wall and shattered it. Yet it shattered slowly. This would have surprised him if he had been fully awake, for he had only reached out sleepily for it. Nor had he wakened regularly to his alarm; he had wakened to a weird, slow, low booming, yet the clock said six, tim...

The legend that Sologub has in mind is the active, eternally changing process of life, orderly and structural in spite of the external confusion. The author makes an effort to bring order out of apparent chaos by stripping life of its complex modern detail and reducing it to a few significant symbols, as in a rather more subtle "morality play." The modern novel is perhaps overpsychologized; eterna...

The legend that Sologub has in mind is the active, eternally changing process of life, orderly and structural in spite of the external confusion. The author makes an effort to bring order out of apparent chaos by stripping life of its complex modern detail and reducing it to a few significant symbols, as in a rather more subtle "morality play." The modern novel is perhaps overpsychologized; eterna...

The legend that Sologub has in mind is the active, eternally changing process of life, orderly and structural in spite of the external confusion. The author makes an effort to bring order out of apparent chaos by stripping life of its complex modern detail and reducing it to a few significant symbols, as in a rather more subtle "morality play." The modern novel is perhaps overpsychologized; eterna...

The legend that Sologub has in mind is the active, eternally changing process of life, orderly and structural in spite of the external confusion. The author makes an effort to bring order out of apparent chaos by stripping life of its complex modern detail and reducing it to a few significant symbols, as in a rather more subtle "morality play." The modern novel is perhaps overpsychologized; eterna...

The legend that Sologub has in mind is the active, eternally changing process of life, orderly and structural in spite of the external confusion. The author makes an effort to bring order out of apparent chaos by stripping life of its complex modern detail and reducing it to a few significant symbols, as in a rather more subtle "morality play." The modern novel is perhaps overpsychologized; eterna...

The legend that Sologub has in mind is the active, eternally changing process of life, orderly and structural in spite of the external confusion. The author makes an effort to bring order out of apparent chaos by stripping life of its complex modern detail and reducing it to a few significant symbols, as in a rather more subtle "morality play." The modern novel is perhaps overpsychologized; eterna...

The legend that Sologub has in mind is the active, eternally changing process of life, orderly and structural in spite of the external confusion. The author makes an effort to bring order out of apparent chaos by stripping life of its complex modern detail and reducing it to a few significant symbols, as in a rather more subtle "morality play." The modern novel is perhaps overpsychologized; eterna...

The legend that Sologub has in mind is the active, eternally changing process of life, orderly and structural in spite of the external confusion. The author makes an effort to bring order out of apparent chaos by stripping life of its complex modern detail and reducing it to a few significant symbols, as in a rather more subtle "morality play." The modern novel is perhaps overpsychologized; eterna...

A 1908 collection of traditional fables and folktales. Twenty-two charming Japanese Fairy Tales, selected and translated by Yei Theodora Ozaki, including "My Lord Bag of Rice," "The Tongue-Cut Sparrow," "The Story of Urashima Taro, the Fisher Lad," "The Farmer and the Badger," "The Shinansha, or the South Pointing Carriage," "The Adventures of Kintaro, the Golden Boy," "The Story of Princess Hase,...

A 1908 collection of traditional fables and folktales. Twenty-two charming Japanese Fairy Tales, selected and translated by Yei Theodora Ozaki, including "My Lord Bag of Rice," "The Tongue-Cut Sparrow," "The Story of Urashima Taro, the Fisher Lad," "The Farmer and the Badger," "The Shinansha, or the South Pointing Carriage," "The Adventures of Kintaro, the Golden Boy," "The Story of Princess Hase,...

A 1908 collection of traditional fables and folktales. Twenty-two charming Japanese Fairy Tales, selected and translated by Yei Theodora Ozaki, including "My Lord Bag of Rice," "The Tongue-Cut Sparrow," "The Story of Urashima Taro, the Fisher Lad," "The Farmer and the Badger," "The Shinansha, or the South Pointing Carriage," "The Adventures of Kintaro, the Golden Boy," "The Story of Princess Hase,...

A 1908 collection of traditional fables and folktales. Twenty-two charming Japanese Fairy Tales, selected and translated by Yei Theodora Ozaki, including "My Lord Bag of Rice," "The Tongue-Cut Sparrow," "The Story of Urashima Taro, the Fisher Lad," "The Farmer and the Badger," "The Shinansha, or the South Pointing Carriage," "The Adventures of Kintaro, the Golden Boy," "The Story of Princess Hase,...

A 1908 collection of traditional fables and folktales. Twenty-two charming Japanese Fairy Tales, selected and translated by Yei Theodora Ozaki, including "My Lord Bag of Rice," "The Tongue-Cut Sparrow," "The Story of Urashima Taro, the Fisher Lad," "The Farmer and the Badger," "The Shinansha, or the South Pointing Carriage," "The Adventures of Kintaro, the Golden Boy," "The Story of Princess Hase,...

A 1908 collection of traditional fables and folktales. Twenty-two charming Japanese Fairy Tales, selected and translated by Yei Theodora Ozaki, including "My Lord Bag of Rice," "The Tongue-Cut Sparrow," "The Story of Urashima Taro, the Fisher Lad," "The Farmer and the Badger," "The Shinansha, or the South Pointing Carriage," "The Adventures of Kintaro, the Golden Boy," "The Story of Princess Hase,...

A 1908 collection of traditional fables and folktales. Twenty-two charming Japanese Fairy Tales, selected and translated by Yei Theodora Ozaki, including "My Lord Bag of Rice," "The Tongue-Cut Sparrow," "The Story of Urashima Taro, the Fisher Lad," "The Farmer and the Badger," "The Shinansha, or the South Pointing Carriage," "The Adventures of Kintaro, the Golden Boy," "The Story of Princess Hase,...

A 1908 collection of traditional fables and folktales. Twenty-two charming Japanese Fairy Tales, selected and translated by Yei Theodora Ozaki, including "My Lord Bag of Rice," "The Tongue-Cut Sparrow," "The Story of Urashima Taro, the Fisher Lad," "The Farmer and the Badger," "The Shinansha, or the South Pointing Carriage," "The Adventures of Kintaro, the Golden Boy," "The Story of Princess Hase,...

Except for the title story, "The Piazza," all of the stories had appeared in Putnam's Monthly, the first being Bartleby, the Scrivener in 1853.Melville had originally intended to entitle the volume Benito Cereno and Other Sketches, but it was The Encantadas, his sketches of the Galápagos Islands, that garnered the most attention from critics.Included in this collection are six tales that range con...

Except for the title story, "The Piazza," all of the stories had appeared in Putnam's Monthly, the first being Bartleby, the Scrivener in 1853.Melville had originally intended to entitle the volume Benito Cereno and Other Sketches, but it was The Encantadas, his sketches of the Galápagos Islands, that garnered the most attention from critics.Included in this collection are six tales that range con...

Except for the title story, "The Piazza," all of the stories had appeared in Putnam's Monthly, the first being Bartleby, the Scrivener in 1853.Melville had originally intended to entitle the volume Benito Cereno and Other Sketches, but it was The Encantadas, his sketches of the Galápagos Islands, that garnered the most attention from critics.Included in this collection are six tales that range con...

Except for the title story, "The Piazza," all of the stories had appeared in Putnam's Monthly, the first being Bartleby, the Scrivener in 1853.Melville had originally intended to entitle the volume Benito Cereno and Other Sketches, but it was The Encantadas, his sketches of the Galápagos Islands, that garnered the most attention from critics.Included in this collection are six tales that range con...

Except for the title story, "The Piazza," all of the stories had appeared in Putnam's Monthly, the first being Bartleby, the Scrivener in 1853.Melville had originally intended to entitle the volume Benito Cereno and Other Sketches, but it was The Encantadas, his sketches of the Galápagos Islands, that garnered the most attention from critics.Included in this collection are six tales that range con...

There must be many errors of omission in this work, because the subject is too large to be treated of in two volumes in such way as to do justice to all the officers and men engaged. There were thousands of instances, during the rebellion, of individual, company, regimental and brigade deeds of heroism which deserve special mention and are not here alluded to. The troops engaged in them will have ...

Except for the title story, "The Piazza," all of the stories had appeared in Putnam's Monthly, the first being Bartleby, the Scrivener in 1853.Melville had originally intended to entitle the volume Benito Cereno and Other Sketches, but it was The Encantadas, his sketches of the Galápagos Islands, that garnered the most attention from critics.Included in this collection are six tales that range con...

Except for the title story, "The Piazza," all of the stories had appeared in Putnam's Monthly, the first being Bartleby, the Scrivener in 1853.Melville had originally intended to entitle the volume Benito Cereno and Other Sketches, but it was The Encantadas, his sketches of the Galápagos Islands, that garnered the most attention from critics.Included in this collection are six tales that range con...

Except for the title story, "The Piazza," all of the stories had appeared in Putnam's Monthly, the first being Bartleby, the Scrivener in 1853.Melville had originally intended to entitle the volume Benito Cereno and Other Sketches, but it was The Encantadas, his sketches of the Galápagos Islands, that garnered the most attention from critics.Included in this collection are six tales that range con...

There must be many errors of omission in this work, because the subject is too large to be treated of in two volumes in such way as to do justice to all the officers and men engaged. There were thousands of instances, during the rebellion, of individual, company, regimental and brigade deeds of heroism which deserve special mention and are not here alluded to. The troops engaged in them will have ...