Music as thought

Livro em ótimo estado de conservação. Com marcas de manuseio. Sem grifos. 133 páginas. 20/05/24

Before the nineteenth century, instrumental music was considered inferior to vocal music. Kant described wordless music as more pleasure than culture, and Rousseau dismissed it for its inability to convey concepts. But by the early 1800s, a dramatic shift was under way. Purely instrumental music was now being hailed as a means to knowledge and embraced precisely because of its independence from th...

Before the nineteenth century, instrumental music was considered inferior to vocal music. Kant described wordless music as more pleasure than culture, and Rousseau dismissed it for its inability to convey concepts. But by the early 1800s, a dramatic shift was under way. Purely instrumental music was now being hailed as a means to knowledge and embraced precisely because of its independence from th...

Before the nineteenth century, instrumental music was considered inferior to vocal music. Kant described wordless music as more pleasure than culture, and Rousseau dismissed it for its inability to convey concepts. But by the early 1800s, a dramatic shift was under way. Purely instrumental music was now being hailed as a means to knowledge and embraced precisely because of its independence from th...

Before the nineteenth century, instrumental music was considered inferior to vocal music. Kant described wordless music as more pleasure than culture, and Rousseau dismissed it for its inability to convey concepts. But by the early 1800s, a dramatic shift was under way. Purely instrumental music was now being hailed as a means to knowledge and embraced precisely because of its independence from th...

Before the nineteenth century, instrumental music was considered inferior to vocal music. Kant described wordless music as more pleasure than culture, and Rousseau dismissed it for its inability to convey concepts. But by the early 1800s, a dramatic shift was under way. Purely instrumental music was now being hailed as a means to knowledge and embraced precisely because of its independence from th...

Before the nineteenth century, instrumental music was considered inferior to vocal music. Kant described wordless music as more pleasure than culture, and Rousseau dismissed it for its inability to convey concepts. But by the early 1800s, a dramatic shift was under way. Purely instrumental music was now being hailed as a means to knowledge and embraced precisely because of its independence from th...

Before the nineteenth century, instrumental music was considered inferior to vocal music. Kant described wordless music as more pleasure than culture, and Rousseau dismissed it for its inability to convey concepts. But by the early 1800s, a dramatic shift was under way. Purely instrumental music was now being hailed as a means to knowledge and embraced precisely because of its independence from th...

Before the nineteenth century, instrumental music was considered inferior to vocal music. Kant described wordless music as more pleasure than culture, and Rousseau dismissed it for its inability to convey concepts. But by the early 1800s, a dramatic shift was under way. Purely instrumental music was now being hailed as a means to knowledge and embraced precisely because of its independence from th...

Before the nineteenth century, instrumental music was considered inferior to vocal music. Kant described wordless music as more pleasure than culture, and Rousseau dismissed it for its inability to convey concepts. But by the early 1800s, a dramatic shift was under way. Purely instrumental music was now being hailed as a means to knowledge and embraced precisely because of its independence from th...

Before the nineteenth century, instrumental music was considered inferior to vocal music. Kant described wordless music as more pleasure than culture, and Rousseau dismissed it for its inability to convey concepts. But by the early 1800s, a dramatic shift was under way. Purely instrumental music was now being hailed as a means to knowledge and embraced precisely because of its independence from th...

Before the nineteenth century, instrumental music was considered inferior to vocal music. Kant described wordless music as more pleasure than culture, and Rousseau dismissed it for its inability to convey concepts. But by the early 1800s, a dramatic shift was under way. Purely instrumental music was now being hailed as a means to knowledge and embraced precisely because of its independence from th...

Before the nineteenth century, instrumental music was considered inferior to vocal music. Kant described wordless music as more pleasure than culture, and Rousseau dismissed it for its inability to convey concepts. But by the early 1800s, a dramatic shift was under way. Purely instrumental music was now being hailed as a means to knowledge and embraced precisely because of its independence from th...