No seu controverso ensaio sobre o músico de jazz branco Burton Greene, Amiri Baraka afirmou que o jazz era exclusivamente uma forma de arte afro-americana e fundiu explicitamente a ideia de uma estética negra com tradições políticas radicais da diáspora africana. Na quebra é um riff prolongado sobre “The Burton Greene Affair”, explorando a emaranhada relação entre a vanguarda negra na música e na ...

No seu controverso ensaio sobre o músico de jazz branco Burton Greene, Amiri Baraka afirmou que o jazz era exclusivamente uma forma de arte afro-americana e fundiu explicitamente a ideia de uma estética negra com tradições políticas radicais da diáspora africana. Na quebra é um riff prolongado sobre “The Burton Greene Affair”, explorando a emaranhada relação entre a vanguarda negra na música e na ...

Tudo incompleto estuda a história de uma preferência pela força e pelo solo, pelo subsolo da existência social. Interagindo com uma vibrante constelação de pensamento que inclui os trabalhos de Amílcar Cabral, Erica Edwards, Denise Ferreira da Silva, Cedric Robinson, Walter Rodney, Hortense Spillers e muitos outros, Harney e Moten tentam partilhar e entender essa preferência. E, com isso, ele...

Subcomuns é, antes de qualquer coisa, uma proposição para o agora, mas também é uma percepção poética da realidade, pois, para além de um conceito, requer de quem o lê, ou seja, de quem o faz materializável, o reconhecimento e a admiração pela perspectiva do subterrâneo, do invisível, do entremundo, talvez até do anonimato — na abertura para ritmos estranhos em sua familiaridade excessiva que corr...

<div>"Taken as a trilogy, <i>consent not to be a single being</i> is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis."-Brent Hayes Edwards, author of <i>Epistrophies: Jazz and the Literary Imagination</i><br><br>In <i>Black and Blur</i>-the first volume in his sublime and compelling trilogy <i...

<div>"Taken as a trilogy, <i>consent not to be a single being</i> is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis."-Brent Hayes Edwards, author of <i>Epistrophies: Jazz and the Literary Imagination</i><br><br>In <i>Stolen Life</i>-the second volume in his landmark trilogy <i>consent not to ...

<div>"Taken as a trilogy, <i>consent not to be a single being</i> is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis."-Brent Hayes Edwards, author of <i>Epistrophies: Jazz and the Literary Imagination</i><br><br>In <i>The Universal Machine</i>-the concluding volume to his landmark trilogy <i>c...

Brochura. Livro em ótimo estado.

Sinopse: Nesta série de ensaios, Fred Moten e Stefano Harney recorrem à tradição radical negra para pensar questões candentes relacionadas à proliferação da lógica e da logística capitalista no universo acadêmico e no mundo social. Partindo da experiência de exclusão social e existencial das pessoas negras, indígenas, queers e pobres, os autores teorizam sobre as possibilidades criativas de vida n...

Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis.-Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary ImaginationIn The Universal Machine-the concluding volume to his landmark trilogy consent not to be a single being-Fred Mo...

Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis.-Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary ImaginationIn The Universal Machine-the concluding volume to his landmark trilogy consent not to be a single being-Fred Mo...

Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis.-Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary ImaginationIn The Universal Machine-the concluding volume to his landmark trilogy consent not to be a single being-Fred Mo...

Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis.-Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary ImaginationIn The Universal Machine-the concluding volume to his landmark trilogy consent not to be a single being-Fred Mo...

Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis.-Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary ImaginationIn The Universal Machine-the concluding volume to his landmark trilogy consent not to be a single being-Fred Mo...

Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis.-Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary ImaginationIn The Universal Machine-the concluding volume to his landmark trilogy consent not to be a single being-Fred Mo...

Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis.-Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary ImaginationIn The Universal Machine-the concluding volume to his landmark trilogy consent not to be a single being-Fred Mo...

Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis.-Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary ImaginationIn The Universal Machine-the concluding volume to his landmark trilogy consent not to be a single being-Fred Mo...

Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis.-Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary ImaginationIn The Universal Machine-the concluding volume to his landmark trilogy consent not to be a single being-Fred Mo...

Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis.-Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary ImaginationIn The Universal Machine-the concluding volume to his landmark trilogy consent not to be a single being-Fred Mo...

Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis.-Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary ImaginationIn The Universal Machine-the concluding volume to his landmark trilogy consent not to be a single being-Fred Mo...

Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis.-Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary ImaginationIn The Universal Machine-the concluding volume to his landmark trilogy consent not to be a single being-Fred Mo...

Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis.-Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary ImaginationIn The Universal Machine-the concluding volume to his landmark trilogy consent not to be a single being-Fred Mo...

Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis.-Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary ImaginationIn The Universal Machine-the concluding volume to his landmark trilogy consent not to be a single being-Fred Mo...

Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis.-Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary ImaginationIn Stolen Life-the second volume in his landmark trilogy consent not to be a single being-Fred Moten undertakes...

Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis.-Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary ImaginationIn Stolen Life-the second volume in his landmark trilogy consent not to be a single being-Fred Moten undertakes...

Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis.-Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary ImaginationIn Stolen Life-the second volume in his landmark trilogy consent not to be a single being-Fred Moten undertakes...

Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis.-Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary ImaginationIn Stolen Life-the second volume in his landmark trilogy consent not to be a single being-Fred Moten undertakes...

Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis.-Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary ImaginationIn Stolen Life-the second volume in his landmark trilogy consent not to be a single being-Fred Moten undertakes...

Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis.-Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary ImaginationIn Stolen Life-the second volume in his landmark trilogy consent not to be a single being-Fred Moten undertakes...

Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis.-Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary ImaginationIn Stolen Life-the second volume in his landmark trilogy consent not to be a single being-Fred Moten undertakes...

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