Hart crane and the modernist epic

This study examines Hart Cranes canonical ambitions in The Bridge and argues for a new species of epic, the modernist epic, which also includes Pounds The Cantos, Eliots The Waste Land, and Williamss Paterson. It offers a close reading of The Bridge as a hybrid of lyric and epic modes. Cranes sublime and history converge in a complex synthesis of form and ideas. The study reconceives Cranes achiev...

This study examines Hart Cranes canonical ambitions in The Bridge and argues for a new species of epic, the modernist epic, which also includes Pounds The Cantos, Eliots The Waste Land, and Williamss Paterson. It offers a close reading of The Bridge as a hybrid of lyric and epic modes. Cranes sublime and history converge in a complex synthesis of form and ideas. The study reconceives Cranes achiev...

This study examines Hart Cranes canonical ambitions in The Bridge and argues for a new species of epic, the modernist epic, which also includes Pounds The Cantos, Eliots The Waste Land, and Williamss Paterson. It offers a close reading of The Bridge as a hybrid of lyric and epic modes. Cranes sublime and history converge in a complex synthesis of form and ideas. The study reconceives Cranes achiev...

This study examines Hart Cranes canonical ambitions in The Bridge and argues for a new species of epic, the modernist epic, which also includes Pounds The Cantos, Eliots The Waste Land, and Williamss Paterson. It offers a close reading of The Bridge as a hybrid of lyric and epic modes. Cranes sublime and history converge in a complex synthesis of form and ideas. The study reconceives Cranes achiev...

This study examines Hart Cranes canonical ambitions in The Bridge and argues for a new species of epic, the modernist epic, which also includes Pounds The Cantos, Eliots The Waste Land, and Williamss Paterson. It offers a close reading of The Bridge as a hybrid of lyric and epic modes. Cranes sublime and history converge in a complex synthesis of form and ideas. The study reconceives Cranes achiev...

This study examines Hart Cranes canonical ambitions in The Bridge and argues for a new species of epic, the modernist epic, which also includes Pounds The Cantos, Eliots The Waste Land, and Williamss Paterson. It offers a close reading of The Bridge as a hybrid of lyric and epic modes. Cranes sublime and history converge in a complex synthesis of form and ideas. The study reconceives Cranes achiev...

This study examines Hart Cranes canonical ambitions in The Bridge and argues for a new species of epic, the modernist epic, which also includes Pounds The Cantos, Eliots The Waste Land, and Williamss Paterson. It offers a close reading of The Bridge as a hybrid of lyric and epic modes. Cranes sublime and history converge in a complex synthesis of form and ideas. The study reconceives Cranes achiev...

This study examines Hart Cranes canonical ambitions in The Bridge and argues for a new species of epic, the modernist epic, which also includes Pounds The Cantos, Eliots The Waste Land, and Williamss Paterson. It offers a close reading of The Bridge as a hybrid of lyric and epic modes. Cranes sublime and history converge in a complex synthesis of form and ideas. The study reconceives Cranes achiev...

This study examines Hart Cranes canonical ambitions in The Bridge and argues for a new species of epic, the modernist epic, which also includes Pounds The Cantos, Eliots The Waste Land, and Williamss Paterson. It offers a close reading of The Bridge as a hybrid of lyric and epic modes. Cranes sublime and history converge in a complex synthesis of form and ideas. The study reconceives Cranes achiev...

This study examines Hart Cranes canonical ambitions in The Bridge and argues for a new species of epic, the modernist epic, which also includes Pounds The Cantos, Eliots The Waste Land, and Williamss Paterson. It offers a close reading of The Bridge as a hybrid of lyric and epic modes. Cranes sublime and history converge in a complex synthesis of form and ideas. The study reconceives Cranes achiev...

This study examines Hart Cranes canonical ambitions in The Bridge and argues for a new species of epic, the modernist epic, which also includes Pounds The Cantos, Eliots The Waste Land, and Williamss Paterson. It offers a close reading of The Bridge as a hybrid of lyric and epic modes. Cranes sublime and history converge in a complex synthesis of form and ideas. The study reconceives Cranes achiev...