Livro The Man Who was Thursday

Miolo em perfeito estado de leitura, não possui grifos ou rasuras. Laterais com pontos de oxidação que atingem verso da capa, verso da contracapa e algumas páginas, não comprometendo a obra. Brochura com marcas de manuseio, contém desgaste Dúvidas nos solicite fotos por e-mail. LA006

Livro usado. Imagem real do produto. Brochura em bom estado de preservação, com os cortes limpos. Exterior apresenta marcas de manuseio. Interior em excelente estado de conservação, com as páginas claras e livre de grifos ou rasuras. 180 páginas. Tamanho do Livro: 15, 5 cm x 23 cm. Literatura Estrangeira - Inglês. Solicite fotos.

2011 Reprint of 1908 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. The Man Who Was Thursday: A Nightmare is a novel by G. K. Chesterton, first published in 1908. The book is sometimes referred to as a metaphysical thriller. Although it deals with anarchists, the novel is not an exploration or rebuttal of anarchist thought; Chestertons ad hoc construction of Philosophical Anarchism is distinguished from ordinary anarchism and is referred to several times not so much as a rebellion against government but as a rebellion against God. The novel has been described as one of the hidden hinges of twentieth-century writing, the place where, before our eyes, the nonsense-fantastical tradition of Lewis Carroll and Edward Lear pivots and becomes the nightmare-fantastical tradition of Kafka and Borges.

2011 Reprint of 1908 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. The Man Who Was Thursday: A Nightmare is a novel by G. K. Chesterton, first published in 1908. The book is sometimes referred to as a metaphysical thriller. Although it deals with anarchists, the novel is not an exploration or rebuttal of anarchist thought; Chestertons ad hoc construction of Philosophical Anarchism is distinguished from ordinary anarchism and is referred to several times not so much as a rebellion against government but as a rebellion against God. The novel has been described as one of the hidden hinges of twentieth-century writing, the place where, before our eyes, the nonsense-fantastical tradition of Lewis Carroll and Edward Lear pivots and becomes the nightmare-fantastical tradition of Kafka and Borges.

livro usado em ótimo estado de conservação com as páginas e bordas amareladas devido a ação do tempo; desgastes nas bordas; miolo firme páginas limpas; 13 x 21 cm; brochura; 198 págs... G. K. Chestertons surreal masterpiece is a psychological thriller that centers on seven anarchists in turn-of-the-century London who call themselves by the names of the days of the week. Chesterton explores the meanings of their disguised identities in what is a fascinating mystery and, ultimately, a spellbinding allegory. As Jonathan Lethem remarks in his Introduction, The real characters are the ideas. Chestertons nutty agenda is really quite simple: to expose moral relativism and parlor nihilism for the devils he believes them to be. This wouldnt be interesting at all, though, if he didnt also show s

Newly recruited Scotland Yard detective Gabriel Syme infiltrates a dangerous underworld anarchist group with the help of a poet he befriends, named Lucian Gregory. The taut adventure that ensues is part spy narrative, part dystopian novel and part Christian allegory.Chestertons unconventional masterpiece has been described as one of the hidden hinges of twentieth-century writing, the place where, before our eyes, the nonsense-fantastical tradition of Lewis Carroll and Edward Lear pivots and becomes the nightmare-fantastical tradition of Kafka and Borges.

Newly recruited Scotland Yard detective Gabriel Syme infiltrates a dangerous underworld anarchist group with the help of a poet he befriends, named Lucian Gregory. The taut adventure that ensues is part spy narrative, part dystopian novel and part Christian allegory.Chestertons unconventional masterpiece has been described as one of the hidden hinges of twentieth-century writing, the place where, before our eyes, the nonsense-fantastical tradition of Lewis Carroll and Edward Lear pivots and becomes the nightmare-fantastical tradition of Kafka and Borges.

Newly recruited Scotland Yard detective Gabriel Syme infiltrates a dangerous underworld anarchist group with the help of a poet he befriends, named Lucian Gregory. The taut adventure that ensues is part spy narrative, part dystopian novel and part Christian allegory.Chestertons unconventional masterpiece has been described as one of the hidden hinges of twentieth-century writing, the place where, before our eyes, the nonsense-fantastical tradition of Lewis Carroll and Edward Lear pivots and becomes the nightmare-fantastical tradition of Kafka and Borges.

Newly recruited Scotland Yard detective Gabriel Syme infiltrates a dangerous underworld anarchist group with the help of a poet he befriends, named Lucian Gregory. The taut adventure that ensues is part spy narrative, part dystopian novel and part Christian allegory.Chestertons unconventional masterpiece has been described as one of the hidden hinges of twentieth-century writing, the place where, before our eyes, the nonsense-fantastical tradition of Lewis Carroll and Edward Lear pivots and becomes the nightmare-fantastical tradition of Kafka and Borges.

Newly recruited Scotland Yard detective Gabriel Syme infiltrates a dangerous underworld anarchist group with the help of a poet he befriends, named Lucian Gregory. The taut adventure that ensues is part spy narrative, part dystopian novel and part Christian allegory.Chestertons unconventional masterpiece has been described as one of the hidden hinges of twentieth-century writing, the place where, before our eyes, the nonsense-fantastical tradition of Lewis Carroll and Edward Lear pivots and becomes the nightmare-fantastical tradition of Kafka and Borges.

Newly recruited Scotland Yard detective Gabriel Syme infiltrates a dangerous underworld anarchist group with the help of a poet he befriends, named Lucian Gregory. The taut adventure that ensues is part spy narrative, part dystopian novel and part Christian allegory.Chestertons unconventional masterpiece has been described as one of the hidden hinges of twentieth-century writing, the place where, before our eyes, the nonsense-fantastical tradition of Lewis Carroll and Edward Lear pivots and becomes the nightmare-fantastical tradition of Kafka and Borges.

Newly recruited Scotland Yard detective Gabriel Syme infiltrates a dangerous underworld anarchist group with the help of a poet he befriends, named Lucian Gregory. The taut adventure that ensues is part spy narrative, part dystopian novel and part Christian allegory.Chestertons unconventional masterpiece has been described as one of the hidden hinges of twentieth-century writing, the place where, before our eyes, the nonsense-fantastical tradition of Lewis Carroll and Edward Lear pivots and becomes the nightmare-fantastical tradition of Kafka and Borges.

Newly recruited Scotland Yard detective Gabriel Syme infiltrates a dangerous underworld anarchist group with the help of a poet he befriends, named Lucian Gregory. The taut adventure that ensues is part spy narrative, part dystopian novel and part Christian allegory.Chestertons unconventional masterpiece has been described as one of the hidden hinges of twentieth-century writing, the place where, before our eyes, the nonsense-fantastical tradition of Lewis Carroll and Edward Lear pivots and becomes the nightmare-fantastical tradition of Kafka and Borges.

Newly recruited Scotland Yard detective Gabriel Syme infiltrates a dangerous underworld anarchist group with the help of a poet he befriends, named Lucian Gregory. The taut adventure that ensues is part spy narrative, part dystopian novel and part Christian allegory.Chestertons unconventional masterpiece has been described as one of the hidden hinges of twentieth-century writing, the place where, before our eyes, the nonsense-fantastical tradition of Lewis Carroll and Edward Lear pivots and becomes the nightmare-fantastical tradition of Kafka and Borges.

Newly recruited Scotland Yard detective Gabriel Syme infiltrates a dangerous underworld anarchist group with the help of a poet he befriends, named Lucian Gregory. The taut adventure that ensues is part spy narrative, part dystopian novel and part Christian allegory.Chestertons unconventional masterpiece has been described as one of the hidden hinges of twentieth-century writing, the place where, before our eyes, the nonsense-fantastical tradition of Lewis Carroll and Edward Lear pivots and becomes the nightmare-fantastical tradition of Kafka and Borges.

Newly recruited Scotland Yard detective Gabriel Syme infiltrates a dangerous underworld anarchist group with the help of a poet he befriends, named Lucian Gregory. The taut adventure that ensues is part spy narrative, part dystopian novel and part Christian allegory.Chestertons unconventional masterpiece has been described as one of the hidden hinges of twentieth-century writing, the place where, before our eyes, the nonsense-fantastical tradition of Lewis Carroll and Edward Lear pivots and becomes the nightmare-fantastical tradition of Kafka and Borges.

Newly recruited Scotland Yard detective Gabriel Syme infiltrates a dangerous underworld anarchist group with the help of a poet he befriends, named Lucian Gregory. The taut adventure that ensues is part spy narrative, part dystopian novel and part Christian allegory.Chestertons unconventional masterpiece has been described as one of the hidden hinges of twentieth-century writing, the place where, before our eyes, the nonsense-fantastical tradition of Lewis Carroll and Edward Lear pivots and becomes the nightmare-fantastical tradition of Kafka and Borges.

Newly recruited Scotland Yard detective Gabriel Syme infiltrates a dangerous underworld anarchist group with the help of a poet he befriends, named Lucian Gregory. The taut adventure that ensues is part spy narrative, part dystopian novel and part Christian allegory.Chestertons unconventional masterpiece has been described as one of the hidden hinges of twentieth-century writing, the place where, before our eyes, the nonsense-fantastical tradition of Lewis Carroll and Edward Lear pivots and becomes the nightmare-fantastical tradition of Kafka and Borges.

Newly recruited Scotland Yard detective Gabriel Syme infiltrates a dangerous underworld anarchist group with the help of a poet he befriends, named Lucian Gregory. The taut adventure that ensues is part spy narrative, part dystopian novel and part Christian allegory.Chestertons unconventional masterpiece has been described as one of the hidden hinges of twentieth-century writing, the place where, before our eyes, the nonsense-fantastical tradition of Lewis Carroll and Edward Lear pivots and becomes the nightmare-fantastical tradition of Kafka and Borges.

Newly recruited Scotland Yard detective Gabriel Syme infiltrates a dangerous underworld anarchist group with the help of a poet he befriends, named Lucian Gregory. The taut adventure that ensues is part spy narrative, part dystopian novel and part Christian allegory.Chestertons unconventional masterpiece has been described as one of the hidden hinges of twentieth-century writing, the place where, before our eyes, the nonsense-fantastical tradition of Lewis Carroll and Edward Lear pivots and becomes the nightmare-fantastical tradition of Kafka and Borges.

Newly recruited Scotland Yard detective Gabriel Syme infiltrates a dangerous underworld anarchist group with the help of a poet he befriends, named Lucian Gregory. The taut adventure that ensues is part spy narrative, part dystopian novel and part Christian allegory.Chestertons unconventional masterpiece has been described as one of the hidden hinges of twentieth-century writing, the place where, before our eyes, the nonsense-fantastical tradition of Lewis Carroll and Edward Lear pivots and becomes the nightmare-fantastical tradition of Kafka and Borges.

Newly recruited Scotland Yard detective Gabriel Syme infiltrates a dangerous underworld anarchist group with the help of a poet he befriends, named Lucian Gregory. The taut adventure that ensues is part spy narrative, part dystopian novel and part Christian allegory.Chestertons unconventional masterpiece has been described as one of the hidden hinges of twentieth-century writing, the place where, before our eyes, the nonsense-fantastical tradition of Lewis Carroll and Edward Lear pivots and becomes the nightmare-fantastical tradition of Kafka and Borges.

Newly recruited Scotland Yard detective Gabriel Syme infiltrates a dangerous underworld anarchist group with the help of a poet he befriends, named Lucian Gregory. The taut adventure that ensues is part spy narrative, part dystopian novel and part Christian allegory.Chestertons unconventional masterpiece has been described as one of the hidden hinges of twentieth-century writing, the place where, before our eyes, the nonsense-fantastical tradition of Lewis Carroll and Edward Lear pivots and becomes the nightmare-fantastical tradition of Kafka and Borges.

Newly recruited Scotland Yard detective Gabriel Syme infiltrates a dangerous underworld anarchist group with the help of a poet he befriends, named Lucian Gregory. The taut adventure that ensues is part spy narrative, part dystopian novel and part Christian allegory.Chestertons unconventional masterpiece has been described as one of the hidden hinges of twentieth-century writing, the place where, before our eyes, the nonsense-fantastical tradition of Lewis Carroll and Edward Lear pivots and becomes the nightmare-fantastical tradition of Kafka and Borges.

This antiquarian book contains G.K. Chestertons 1908 masterpiece, The Man Who Was Thursday. Gabriel Syme is a detective and poet. Lucian Gregory is a poet and a hard-core anarchist. After infiltrating a clandestine anarchists meeting, Syme assumes the role of one of the select group of members that makes up the Central Anarchist Council, and soon discovers that he is not the only person-in-disguise. A metaphysical thriller and engrossing detective story, this is a text that will appeal to those with an interest in poetry and politics, and is one not to be missed by fans of Chestertons riveting fiction. Gilbert Keith Chesterton (1874 - 1936) was an English writer, theologian, philosopher, dramatist, journalist, poet, and critic. This vintage classic is being republished now in an affordable, modern edition complete with a new prefatory biography of the author.

This antiquarian book contains G.K. Chestertons 1908 masterpiece, The Man Who Was Thursday. Gabriel Syme is a detective and poet. Lucian Gregory is a poet and a hard-core anarchist. After infiltrating a clandestine anarchists meeting, Syme assumes the role of one of the select group of members that makes up the Central Anarchist Council, and soon discovers that he is not the only person-in-disguise. A metaphysical thriller and engrossing detective story, this is a text that will appeal to those with an interest in poetry and politics, and is one not to be missed by fans of Chestertons riveting fiction. Gilbert Keith Chesterton (1874 - 1936) was an English writer, theologian, philosopher, dramatist, journalist, poet, and critic. This vintage classic is being republished now in an affordable, modern edition complete with a new prefatory biography of the author.