Livro George Bernard Shaw

Livro de bolso encadernado sem a capa original, em bom estado, sem carimbo, grifos ou anotações; com iniciais do antigo dono no canto superior direito da 1ª página e com manchas de oxidação no corte e em algumas páginas devido à ação do tempo. 128 págs.

Cód. / Brochura / 1ª edição / 263 p. em italiano /// // / Livro usado em bom estado de conservação e leitura. / Capa e contracapa com pequenos sinais de uso e manuseio, bom aspecto. // Corte levemente amarelado. / / Carimbo do primeiro proprietário na folha de rosto (Doação Biblioteca Colégio São Luís - 2020), com etiqueta no verso da contracapa e verso da folha de rosto./ / Miolo inteiramente claro, limpo, sem quaisquer anotações ou grifos. / Confira o estado de conservação do livro pela foto

British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies-he is impossible to categorize as liberal or conservative, for instance-across a wide variety of avenues: he was an arts critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the prince of paradox, and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language.Chesterton clashed vociferously and frequently with George Bernhard Shaw, his greatest intellectual enemy, once calling the Irish playwright most savagely serious man of his time. This 1909 critique of Shaws work and attitudes is considered one of the best works of cultural criticism ever written, and certainly the best book on Shaw.Exploring the writers work through the perspectives of his various personas-the Irishman, the Puritan, the Progressive, the Critic, the Dramatist, and the Philosopher-Chesterton, with brutal grace and devastating humor, shreds Shaws grimness and illiberalism. This is essential reading for those seeking the best English literature has to offer.

British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies-he is impossible to categorize as liberal or conservative, for instance-across a wide variety of avenues: he was an arts critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the prince of paradox, and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language.Chesterton clashed vociferously and frequently with George Bernhard Shaw, his greatest intellectual enemy, once calling the Irish playwright most savagely serious man of his time. This 1909 critique of Shaws work and attitudes is considered one of the best works of cultural criticism ever written, and certainly the best book on Shaw.Exploring the writers work through the perspectives of his various personas-the Irishman, the Puritan, the Progressive, the Critic, the Dramatist, and the Philosopher-Chesterton, with brutal grace and devastating humor, shreds Shaws grimness and illiberalism. This is essential reading for those seeking the best English literature has to offer.

British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies-he is impossible to categorize as liberal or conservative, for instance-across a wide variety of avenues: he was an arts critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the prince of paradox, and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language.Chesterton clashed vociferously and frequently with George Bernhard Shaw, his greatest intellectual enemy, once calling the Irish playwright most savagely serious man of his time. This 1909 critique of Shaws work and attitudes is considered one of the best works of cultural criticism ever written, and certainly the best book on Shaw.Exploring the writers work through the perspectives of his various personas-the Irishman, the Puritan, the Progressive, the Critic, the Dramatist, and the Philosopher-Chesterton, with brutal grace and devastating humor, shreds Shaws grimness and illiberalism. This is essential reading for those seeking the best English literature has to offer.

British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies-he is impossible to categorize as liberal or conservative, for instance-across a wide variety of avenues: he was an arts critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the prince of paradox, and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language.Chesterton clashed vociferously and frequently with George Bernhard Shaw, his greatest intellectual enemy, once calling the Irish playwright most savagely serious man of his time. This 1909 critique of Shaws work and attitudes is considered one of the best works of cultural criticism ever written, and certainly the best book on Shaw.Exploring the writers work through the perspectives of his various personas-the Irishman, the Puritan, the Progressive, the Critic, the Dramatist, and the Philosopher-Chesterton, with brutal grace and devastating humor, shreds Shaws grimness and illiberalism. This is essential reading for those seeking the best English literature has to offer.

British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies-he is impossible to categorize as liberal or conservative, for instance-across a wide variety of avenues: he was an arts critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the prince of paradox, and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language.Chesterton clashed vociferously and frequently with George Bernhard Shaw, his greatest intellectual enemy, once calling the Irish playwright most savagely serious man of his time. This 1909 critique of Shaws work and attitudes is considered one of the best works of cultural criticism ever written, and certainly the best book on Shaw.Exploring the writers work through the perspectives of his various personas-the Irishman, the Puritan, the Progressive, the Critic, the Dramatist, and the Philosopher-Chesterton, with brutal grace and devastating humor, shreds Shaws grimness and illiberalism. This is essential reading for those seeking the best English literature has to offer.

British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies-he is impossible to categorize as liberal or conservative, for instance-across a wide variety of avenues: he was an arts critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the prince of paradox, and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language.Chesterton clashed vociferously and frequently with George Bernhard Shaw, his greatest intellectual enemy, once calling the Irish playwright most savagely serious man of his time. This 1909 critique of Shaws work and attitudes is considered one of the best works of cultural criticism ever written, and certainly the best book on Shaw.Exploring the writers work through the perspectives of his various personas-the Irishman, the Puritan, the Progressive, the Critic, the Dramatist, and the Philosopher-Chesterton, with brutal grace and devastating humor, shreds Shaws grimness and illiberalism. This is essential reading for those seeking the best English literature has to offer.

British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies-he is impossible to categorize as liberal or conservative, for instance-across a wide variety of avenues: he was an arts critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the prince of paradox, and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language.Chesterton clashed vociferously and frequently with George Bernhard Shaw, his greatest intellectual enemy, once calling the Irish playwright most savagely serious man of his time. This 1909 critique of Shaws work and attitudes is considered one of the best works of cultural criticism ever written, and certainly the best book on Shaw.Exploring the writers work through the perspectives of his various personas-the Irishman, the Puritan, the Progressive, the Critic, the Dramatist, and the Philosopher-Chesterton, with brutal grace and devastating humor, shreds Shaws grimness and illiberalism. This is essential reading for those seeking the best English literature has to offer.

British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies-he is impossible to categorize as liberal or conservative, for instance-across a wide variety of avenues: he was an arts critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the prince of paradox, and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language.Chesterton clashed vociferously and frequently with George Bernhard Shaw, his greatest intellectual enemy, once calling the Irish playwright most savagely serious man of his time. This 1909 critique of Shaws work and attitudes is considered one of the best works of cultural criticism ever written, and certainly the best book on Shaw.Exploring the writers work through the perspectives of his various personas-the Irishman, the Puritan, the Progressive, the Critic, the Dramatist, and the Philosopher-Chesterton, with brutal grace and devastating humor, shreds Shaws grimness and illiberalism. This is essential reading for those seeking the best English literature has to offer.

British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies-he is impossible to categorize as liberal or conservative, for instance-across a wide variety of avenues: he was an arts critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the prince of paradox, and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language.Chesterton clashed vociferously and frequently with George Bernhard Shaw, his greatest intellectual enemy, once calling the Irish playwright most savagely serious man of his time. This 1909 critique of Shaws work and attitudes is considered one of the best works of cultural criticism ever written, and certainly the best book on Shaw.Exploring the writers work through the perspectives of his various personas-the Irishman, the Puritan, the Progressive, the Critic, the Dramatist, and the Philosopher-Chesterton, with brutal grace and devastating humor, shreds Shaws grimness and illiberalism. This is essential reading for those seeking the best English literature has to offer.

British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies-he is impossible to categorize as liberal or conservative, for instance-across a wide variety of avenues: he was an arts critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the prince of paradox, and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language.Chesterton clashed vociferously and frequently with George Bernhard Shaw, his greatest intellectual enemy, once calling the Irish playwright most savagely serious man of his time. This 1909 critique of Shaws work and attitudes is considered one of the best works of cultural criticism ever written, and certainly the best book on Shaw.Exploring the writers work through the perspectives of his various personas-the Irishman, the Puritan, the Progressive, the Critic, the Dramatist, and the Philosopher-Chesterton, with brutal grace and devastating humor, shreds Shaws grimness and illiberalism. This is essential reading for those seeking the best English literature has to offer.

British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies-he is impossible to categorize as liberal or conservative, for instance-across a wide variety of avenues: he was an arts critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the prince of paradox, and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language.Chesterton clashed vociferously and frequently with George Bernhard Shaw, his greatest intellectual enemy, once calling the Irish playwright most savagely serious man of his time. This 1909 critique of Shaws work and attitudes is considered one of the best works of cultural criticism ever written, and certainly the best book on Shaw.Exploring the writers work through the perspectives of his various personas-the Irishman, the Puritan, the Progressive, the Critic, the Dramatist, and the Philosopher-Chesterton, with brutal grace and devastating humor, shreds Shaws grimness and illiberalism. This is essential reading for those seeking the best English literature has to offer.

British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies-he is impossible to categorize as liberal or conservative, for instance-across a wide variety of avenues: he was an arts critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the prince of paradox, and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language.Chesterton clashed vociferously and frequently with George Bernhard Shaw, his greatest intellectual enemy, once calling the Irish playwright most savagely serious man of his time. This 1909 critique of Shaws work and attitudes is considered one of the best works of cultural criticism ever written, and certainly the best book on Shaw.Exploring the writers work through the perspectives of his various personas-the Irishman, the Puritan, the Progressive, the Critic, the Dramatist, and the Philosopher-Chesterton, with brutal grace and devastating humor, shreds Shaws grimness and illiberalism. This is essential reading for those seeking the best English literature has to offer.

British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies-he is impossible to categorize as liberal or conservative, for instance-across a wide variety of avenues: he was an arts critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the prince of paradox, and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language.Chesterton clashed vociferously and frequently with George Bernhard Shaw, his greatest intellectual enemy, once calling the Irish playwright most savagely serious man of his time. This 1909 critique of Shaws work and attitudes is considered one of the best works of cultural criticism ever written, and certainly the best book on Shaw.Exploring the writers work through the perspectives of his various personas-the Irishman, the Puritan, the Progressive, the Critic, the Dramatist, and the Philosopher-Chesterton, with brutal grace and devastating humor, shreds Shaws grimness and illiberalism. This is essential reading for those seeking the best English literature has to offer.

British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies-he is impossible to categorize as liberal or conservative, for instance-across a wide variety of avenues: he was an arts critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the prince of paradox, and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language.Chesterton clashed vociferously and frequently with George Bernhard Shaw, his greatest intellectual enemy, once calling the Irish playwright most savagely serious man of his time. This 1909 critique of Shaws work and attitudes is considered one of the best works of cultural criticism ever written, and certainly the best book on Shaw.Exploring the writers work through the perspectives of his various personas-the Irishman, the Puritan, the Progressive, the Critic, the Dramatist, and the Philosopher-Chesterton, with brutal grace and devastating humor, shreds Shaws grimness and illiberalism. This is essential reading for those seeking the best English literature has to offer.

British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies-he is impossible to categorize as liberal or conservative, for instance-across a wide variety of avenues: he was an arts critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the prince of paradox, and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language.Chesterton clashed vociferously and frequently with George Bernhard Shaw, his greatest intellectual enemy, once calling the Irish playwright most savagely serious man of his time. This 1909 critique of Shaws work and attitudes is considered one of the best works of cultural criticism ever written, and certainly the best book on Shaw.Exploring the writers work through the perspectives of his various personas-the Irishman, the Puritan, the Progressive, the Critic, the Dramatist, and the Philosopher-Chesterton, with brutal grace and devastating humor, shreds Shaws grimness and illiberalism. This is essential reading for those seeking the best English literature has to offer.

British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies-he is impossible to categorize as liberal or conservative, for instance-across a wide variety of avenues: he was an arts critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the prince of paradox, and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language.Chesterton clashed vociferously and frequently with George Bernhard Shaw, his greatest intellectual enemy, once calling the Irish playwright most savagely serious man of his time. This 1909 critique of Shaws work and attitudes is considered one of the best works of cultural criticism ever written, and certainly the best book on Shaw.Exploring the writers work through the perspectives of his various personas-the Irishman, the Puritan, the Progressive, the Critic, the Dramatist, and the Philosopher-Chesterton, with brutal grace and devastating humor, shreds Shaws grimness and illiberalism. This is essential reading for those seeking the best English literature has to offer.

British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies-he is impossible to categorize as liberal or conservative, for instance-across a wide variety of avenues: he was an arts critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the prince of paradox, and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language.Chesterton clashed vociferously and frequently with George Bernhard Shaw, his greatest intellectual enemy, once calling the Irish playwright most savagely serious man of his time. This 1909 critique of Shaws work and attitudes is considered one of the best works of cultural criticism ever written, and certainly the best book on Shaw.Exploring the writers work through the perspectives of his various personas-the Irishman, the Puritan, the Progressive, the Critic, the Dramatist, and the Philosopher-Chesterton, with brutal grace and devastating humor, shreds Shaws grimness and illiberalism. This is essential reading for those seeking the best English literature has to offer.

British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies-he is impossible to categorize as liberal or conservative, for instance-across a wide variety of avenues: he was an arts critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the prince of paradox, and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language.Chesterton clashed vociferously and frequently with George Bernhard Shaw, his greatest intellectual enemy, once calling the Irish playwright most savagely serious man of his time. This 1909 critique of Shaws work and attitudes is considered one of the best works of cultural criticism ever written, and certainly the best book on Shaw.Exploring the writers work through the perspectives of his various personas-the Irishman, the Puritan, the Progressive, the Critic, the Dramatist, and the Philosopher-Chesterton, with brutal grace and devastating humor, shreds Shaws grimness and illiberalism. This is essential reading for those seeking the best English literature has to offer.

British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies-he is impossible to categorize as liberal or conservative, for instance-across a wide variety of avenues: he was an arts critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the prince of paradox, and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language.Chesterton clashed vociferously and frequently with George Bernhard Shaw, his greatest intellectual enemy, once calling the Irish playwright most savagely serious man of his time. This 1909 critique of Shaws work and attitudes is considered one of the best works of cultural criticism ever written, and certainly the best book on Shaw.Exploring the writers work through the perspectives of his various personas-the Irishman, the Puritan, the Progressive, the Critic, the Dramatist, and the Philosopher-Chesterton, with brutal grace and devastating humor, shreds Shaws grimness and illiberalism. This is essential reading for those seeking the best English literature has to offer.